American Studies
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Item Broken City: Race, Property, and Culture(2018) Casiano, Michael; Parks, Sheri L; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Broken City: Race, Property, and Culture is an interdisciplinary study situated within the fields of urban history, African American Studies, and ethnic studies that examines Baltimore City during a period that roughly spans the late-nineteenth century to the mid-1950s. Using archival sources and close readings, this study examines city law, newsprint, popular culture artifacts, public health periodicals, reform publications, and social scientific production to narrate how, during this period of massive urban growth, theories of black life and culture manifested in city policy around the question of property and its regulation. This dissertation’s contribution to similar studies around the question of black geographic exclusion and containment is to highlight the ways that property controls—and the bases of municipal power itself—were bound up in the intentional criminalization, pathologization, and destruction of black communities, all of which were justified by persistent cultural critiques of black fitness for civil life centered on gendered and sexualized assumptions. The dissertation’s interrelated local investigations narrate social dramas that both exhibited culturally-specific interpretations of black life and precipitated institutional mandates guided by—or reproductive—of those interpretations. One investigation analyzes the discourses of black deviance that animated Baltimore’s crusade against the “cocaine evil” in the late-nineteenth and early-twentieth century to demonstrate how municipal power grew during this period to account for Jim Crow-era investments in disciplining black Baltimoreans and white desires to justify residential exclusion. Another investigation charts how, in the city’s racial covenants, black people became indexed as “nuisance,” a legal maneuver that allowed developers and white homeowners to categorize black people as a hazardous land use whose exclusion was protected under property rights. All told, these investigations demonstrate how, in Baltimore, the basis of municipal power and development, rooted in the protection and maintenance of property, was and continues to be based in the containment of black life through cultural prescriptions of black deviance.Item Subjacent Culture, Orthogonal Community: An Ethnographic Analysis of an On-Line Buffy the Vampire Slayer Fan Community(2013) Ali, Asim; Caughey, John L; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation presents an ethnographic analysis of the community of fans of the television series Buffy the Vampire Slayer whose members frequented the online linear posting board known as The Bronze. Buffy originally aired from 1997 until 2003, but the community that formed at the official Buffy fan site in 1997 continues on in real life and on line, having survived the end of Buffy and the closure of all three of its official posting boards. This study uses an interdisciplinary combination of textual analysis and ethnographic techniques (interviews, participant observation, autoethnography, cyberethnography) to ascertain the importance, relevance, and meaning of The Bronze community to its members, known as Bronzers. I argue that the nature of the linear posting board allowed Bronzers to form a unique and long-lived community by using The Bronze in creative and imaginative ways. In particular, language--to some degree appropriated from Buffy--was used by Bronzers to write a better world for themselves on line. Hence, the community is built on (and maintained by) language that is used in an unusually postmodern manner. As a group, Bronzers tend to be highly educated, literary, and artistic. To Bronzers, much of Buffy's appeal was its emotional realism and imaginative depth. Unusually for television, these elements were combined with strong female leading roles, a cast of bookish and somewhat countercultural characters, and a foregrounding of emotionality and interpersonal relationships. Bronzers were drawn to these aspects of Buffy--which formed its "gothic aesthetic"--and in turn created their own somewhat countercultural community, one that came to reflect their own close ties and emotional attachments. I argue that The Bronze community exists subjacent to mainstream cultural formations, and orthogonal to real life communities. Using this framework, a number of implications emerge for computer-mediated communication in general, including an explanation for the prevalence of hostility in online communication. Furthermore, when situated in its broader context, The Bronze can be seen as a meager palliative to the damaging effects of contemporary post-industrial capitalism, one that nonetheless illumines the brightly stultifying commonplaces that lead people to seek shelter in dimly-lit imagined spaces.