American Studies
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Item Black Nightmare Imaginary: Popular Music, Collective Trauma, and the Intransigence of Antiblack Violence(2024) Donnell, Dallas Taylor; Bruce, La Marr J; Avilez, GerShun; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)“Black Nightmare Imaginary: Popular Music, Collective Trauma, and the Intransigence of Antiblack Violence” is an interdisciplinary examination of the Black Nightmare Imaginary, a form of ideological common sense about the precarity of Black life and the necessity of various modes and maneuvers of contestation and escape needed to survive. I argue that Black Americans have shared access to a psychic repository of scenes and scenarios of antiblack violence that exist in vivid detail out of a collective awareness of the omnipresent violence foundational to Black life itself. Black musicians can tap into this shared terrain of terror through creative works that return us to these traumatic moments and perform perseverance in the face of that trauma. These scenes of violence include the horror of the auction block, the humiliation of the minstrel show, the degradation of the social services visit, the tension of a traffic stop, and more. This is the stuff of our nightmares—the full spectrum of antiblack violence that persists through what Saidiya Hartman calls “the afterlives of slavery.” Foregrounding these scenarios of violence, Black musicians create works that can be read as enacting tactics of resistance to that violence. These tactics include vigilantism, nihilism, opacity, and marronage. Incorporating sonic, visual, literary, and discursive methods, I use the theoretical lens of the Black Nightmare Imaginary to do interdisciplinary analyses of the songs, music videos, album covers, and journalistic representations of a set of post-Civil Rights era Black musicians—including Mary J. Blige, Prince, N.W.A, 2pac, and Sister Souljah. This work challenges prevailing attitudes that misunderstand and devalue Black creative works with simplistic binaries of good /bad, positive/negative, political/apolitical. To the contrary, these are complex works that reckon with both the life and death stakes of the violence foundational to Black American life and the irreducibility and irrepressibility of that life to its influence.Item LURKING IN THE SHADOWS OF HOME: HOMELESSNESS, CARCERALITY, AND THE FIGURE OF THE SEX OFFENDER(2017) Wooten, Terrance; Hanhardt, Christina B; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation is a multi-methodological and interdisciplinary project that examines how those who have been designated as "sex offenders" and are homeless in the Maryland/DC area are managed and regulated by various technologies of governance such as social policies, sex offender registries, and civil commitment statutes. By looking at the cultural, social, and political geography of shelters, the suburbs, and the city, I challenge scholars to reconsider how we understand stigma, belonging, and home. More broadly, I consider how the very construction of home is bound up in processes of sexual regulation and management that produce certain people as homeless by virtue of their proximity to sexual impropriety, deviance, and blackness. Put otherwise, some people are made to be or kept homeless as a result of their sexual practices or non-normative gender presentations, particularly when they are in direct conflict with dominant discourses about and legal definitions of acceptable sexual and gendered behavior. Access to home is equally mitigated by race. There has been, and continues to be, a long history of racial minorities searching for, being denied, and yet building home in geopolitical spaces that often articulate them as outside of home—as, in fact, homeless. I examine how those processes happen in tandem with and in contradistinction to modes of regulation organized around sexual deviance and difference. Drawing on scholarship in African American studies, carceral studies, and gender and sexuality studies, this project makes three critical interventions: 1) it frames sexuality as a central category of analysis necessary for understanding homelessness; 2) it offers new perspectives on the ways homeless sex offenders navigate and resist modes of racialized hypersurveillance; and 3) it argues that the structure of homeless shelters and housing policies are inherently designed to manage deviance. I draw on interviews of homeless service providers and homeless sex offenders, placing them in conversation with sex offender laws, public media, and popular film to map out the multiple contexts that structure the lives of homeless sex offenders. In doing so, I offer an alternative framework for policy interventions that attempt to address homelessness without centering the issue of race and sexuality.