College of Arts & Humanities
Permanent URI for this communityhttp://hdl.handle.net/1903/1611
The collections in this community comprise faculty research works, as well as graduate theses and dissertations.
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Item From Censors to Shouts: Ecologies of Abortion in American Fiction(2023) Schollaert, Jeannette; Walter, Christina; Smith, Martha Nell; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)“From Censors to Shouts: Ecologies of Abortion in American Fiction” registers the urgent need to revisit the literary methods of abortion storytelling in multiethnic American women’s fiction with a close attention to one of its most significant tropes: the herbal abortifacients that signify as both code and medicine, recalling the Victorian “language of flowers” as well as essentialist metaphorical connections between femininity, reproduction, and the natural world. This project traces the literary history of herbal abortifacients from abortion’s censorship and criminalization in the nineteenth century to present-day movements to reclaim or “shout” one’s abortion. The fictional mentions of plants known to be abortifacients demonstrate how literature can communicate reproductive and plant knowledge. “From Censors to Shouts” also offers a window into how the practice of domestic herbalism (a gendered and often racialized practice) evolves over the course of the nineteenth, twentieth, and twenty-first centuries by pairing a cultural historical analysis of the herbs themselves alongside considerations of how authors’ fictional deployments of these herbs work towards visions of reproductive and environmental justice. “From Censors to Shouts” considers fiction from multiethnic American women writers including Sarah Orne Jewett, Edith Summers Kelley, Josephine Herbst, Marge Piercy, Octavia Butler, Ntozake Shange, Jamaica Kincaid, Toni Morrison, Ana Castillo, and Kali Fajardo-Anstine. The fictional depiction of herbal abortifacients reveals our continued attention to plant knowledge and self-managed herbal abortion. Understanding how these plant names and knowledges have remained crucial rhetorical, cultural, and visual signifiers of abortion access is vital to understanding the reclamation of these knowledges as we re-commit to the fight for abortion rights and reproductive justice amidst a new legal landscape.Item Atmospheric Media: Computation and the Environmental Imagination(2022) Moro, Jeffrey; Kirschenbaum, Matthew G; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Atmospheric media are techniques and technologies for the rationalization of air. They take many forms, from the meteorological media of weather maps and satellites, to the infrastructural media of ventilation and climate control, to the embodied media of the breath. This dissertation explores these atmospheric media as fundamental conduits for the cultural work of managing the air, and in turn, for managing climatological catastrophe. Through readings of diverse media objects, from electronic literature and science fiction to 3D printers to air conditioning in data centers, “Atmospheric Media: Computation and the Environmental Imagination” argues that scientists, artists, and laypeople alike have come to imagine the air as a computer, one that they might program as a way out of environmental crisis. Braiding interdisciplinary insights from environmental media studies, literary studies, and the digital humanities, this dissertation explores how computation smooths over atmospheric difference with the standardization of data, and in doing so, further imperils our shared skies.Item Fictions of Hybridity in the Anthropocene: Literature and Science in the Works of Rétif de la Bretonne(2021) Bezilla, Charlee Myranda; Benharrech, Sarah; French Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Experiments in genetic engineering have raised environmental, medical, and ethical questions concerning the manipulation of biological processes. Does modifying an organism in this way change its nature? What do increasingly complex relations between human and machine, organism and technology, mean for human identity and our relations with non-human lifeforms? These questions rest on uneasy but persistent dichotomies of nature and culture, of the humanities and the sciences, and on notions of modernity and progress central to ecocriticism and the environmental humanities. Conceptions of humans as distinct from nature—what anthropologist Philippe Descola names the “nature/culture” divide—are deeply imprinted in the Western psyche and reflected in disciplinary divisions separating the humanities and the sciences, what Bruno Latour calls the “Internal Great Divide.”These questions about hybrid beings, manipulating nature, and the nature/culture divide were particularly pertinent in eighteenth-century French literature and natural history, a period coinciding with the nascence of biological science wherein many thinkers locate the beginnings of the “Anthropocene,” an epoch in which human activity has markedly affected earth systems. Drawing on methods from literary studies and ecocriticism, I examine how literary texts engage debates on the mutability of species, the nature of man, and anxieties about governing populations that remain relevant today. Through the lens of Nicolas-Edme Rétif de la Bretonne’s 1781 novel La Découverte australe par un homme-volant, I engage close readings of the novel alongside natural historical texts to consider the possibilities of “hybridity” as a tool for understanding literary production, the relationships between humans and nonhumans, and how the domains of fiction and science can come together. I find that these texts posit hybridity as a promising intervention, despite growing concerns about degeneration stemming from crossbreeding experiments. After analyzing the formal aspects of the “hybrid” text and its paratexts in Chapter 1, in Chapter 2, I examine how the novel incorporates, interrogates, and extends contemporary theories about the nature of humans and animals. Chapter 3 explores the manipulation of hybrid creatures and proto-eugenicist politics in La Découverte australe alongside key texts from the period to trace how the novel engages contemporary discourses of perfectibility and degeneration. Chapter 4 shows how the novel promotes mechanical technology, along with biological hybridization, as tools of imperialism and societal improvement at a pivotal moment leading up to the industrial revolution.