College of Arts & Humanities
Permanent URI for this communityhttp://hdl.handle.net/1903/1611
The collections in this community comprise faculty research works, as well as graduate theses and dissertations.
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Item No Tangle So Hopeless: Toward a Relational Cluster Analysis(2018) Nichols, Annie Laurie; Pfister, Damien S; Communication; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)How does a semi-nomadic shepherd people on the border of Russia and Azerbaijan place themselves? How do twitter users challenge and transform institutional versions of events? How can citizens resist then narrow confines of reductive algorithmic assumptions on the internet? Questions such as these are not readily answered with traditional rhetorical methods, yet they recommend a rhetorical approach to their focus on meaning-making, constitutive community, and identity creation. This project argues that Kenneth Burke’s method of cluster analysis can be profitably revived to meet rhetoric’s growing need for an approach that focuses on relationships, listens to vernacular voices, engages multiple texts, and considers the world from other viewpoints. The most commonly used approach to cluster analysis is a reductive equational form that is primarily concerned with the dissective, analytic half of cluster analysis. Reconstituting Burke’s more constructive, drawing-together form, this project develops a relational cluster analysis that centers in connections, community, and the relationships between words, people, and ideologies. Relational cluster analysis’ effectiveness is demonstrated by use with ethnographic fieldnotes, a database of 5 million tweets, and the algorithmic infrastructure of Web 2.0. These exemplars demonstrate that, when applied at several layers of meaning, such as individual, community, dominant culture, and cross-cultural, this relational method is particularly generative in working with vernacular voices, community meanings, networked arguments, and digital cultures. Inductively listening to meaning-making foregrounds the subject, leading to substantial insight into not just individual but also community and cultural values and orientations. The elastic nature of a relationally-focused, multilevel cluster analysis affords the opportunity to gaze, engrossed, from others’ points of view.Item A (More) Livable Community: Community, Cooperative Economics, and Resistance At A Student Housing Cooperative In College Park(2016) Medvedev, Anton Andrei; Hanhardt, Christina; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Radical thinkers and activists have put forth “building community” as a political alternative, but what does “building community” actually entail? This thesis examines how a student cohousing group in College Park builds community in a rapidly changing college town. The group was founded to help house low-income tenants in the face of increasingly unaffordable housing. I ask how the group creates organizational structures and personal relationships that give rise to alternative housing opportunities. I examine how community shapes, and is shaped by, features of cohousing such as democratic decision-making and cooperative economics. I give particular attention to tensions that occur within the cooperative due to faults in democratic decision-making, the ability to perform cooperative duties, and the demographic makeup of the cooperative. Finally, I ask what transformative features, if any, the community possesses in the face of the city’s development.Item Lukas Foss's The Prairie (1942): Building Community through Music(2014) Heins, Conrad Paul; Maclary, Edward; Music; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Lukas Foss's The Prairie, a seven-movement cantata for SATB soloists, mixed chorus, and orchestra, is a well-crafted and audience-friendly setting of the poem of the same name by Carl Sandburg. Acclaimed at its 1944 premiere, The Prairie has not enjoyed a robust performance history due in large part to numerous inconsistencies between the score and parts which render the work challenging to perform. Heretofore, each conductor has individually located these inconsistencies and made the necessary adjustments for performances. In this document, resources have been assembled which identify and correct many of the inconsistencies, thus facilitating more performances in the future. The Prairie is an ideal vehicle for a project-based chorus, which is itself an opportunity to create a new community. A correlation may exist between "community" and "vulnerability;" that is, when a choral singer feels comfortably connected to fellow singers, he or she may be more likely to open up to new ways of making sounds for the ultimate service of the music. Results are inconclusive, but the project points to a successful strategy for creating an affirming new community and to positive musical and nonmusical results of intentional community-building.Item Digital Theatre: A "Live" and Mediated Art Form Expanding Perceptions of Body, Place, and Community(2007-05-22) Masura, Nadja; Hildy, Franklin J; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This work discusses Digital Theatre, a type of performance which utilizes both "live" actors and co-present audiences along with digital media to create a hybrid art form revitalizing theatre for contemporary audiences. This work surveys a wide range of digital performances (with "live" and digital elements, limited interactivity/participation and spoken words) and identifies the group collectively as Digital Theatre, an art form with the flexibility and reach of digital data and the sense of community found in "live" theatre. I offer performance examples from Mark Reaney, David Saltz, Troika Ranch, Gertrude Stein Repertory Theatre, Flying Karamazov Brothers, Talking Birds, Yacov Sharir, Studio Z, George Coates Performance Group, and ArtGrid. (The technologies utilized in performances include: video-conferencing, media projection, MIDI control, motion capture, VR animation, and AI). Rather than looking at these productions as isolated events, I identify them as a movement and link the use of digital techniques to continuing theatrical tradition of utilizing new technologies on the stage. The work ties many of the aesthetic choices explored in theatrical past by the likes of Piscator, Svoboda, Craig, and in Bauhaus and Futurist movements. While it retains the essential qualities of public human connection and imaginative thought central to theatre, Digital Theatre can cause theatrical roles to merge as it extends the performer's body, expands our concept of place, and creates new models of global community.