College of Arts & Humanities
Permanent URI for this communityhttp://hdl.handle.net/1903/1611
The collections in this community comprise faculty research works, as well as graduate theses and dissertations.
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Item Points of Learning Instead of States of Being: Reimagining the Role of Emotions in Teacher Development through Compassionate and Developmental Supports(2020) Stump , Megan; Madigan Peercy, Megan; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The existing research on second-language (L2) teacher emotion presents emotional experiences as largely descriptive: we know what emotions L2 teachers feel, and how emotions impact L2 teachers and their pedagogy. However, current framing of emotion in L2 teaching does little to examine how L2 teachers navigate emotional experiences and how emotions factor into their learning and development process. I fill this gap in the literature by studying how L2 teacher preparation programs can support pre-service L2 teachers’ (L2 PSTs) expressed emotions and how this emotional support may impact L2 PSTs’ conceptions of their teaching and themselves as teachers. I approach this study from a sociocultural perspective which posits that the cognitive and emotional minds function as a dialectical unity and therefore, positions cognition and emotion as central to teacher development. Central to the findings for this study is a better understanding of how teacher educators support L2 PST emotion and what this support does for L2 PSTs. Specifically, I highlight two types of emotional support that teacher educators may provide to L2 PSTs: Compassionate Emotional Support (CES) and Developmental Emotional Support (DES). CES focuses specifically on emotions by encouraging L2 PSTs in successful and challenging times, normalizing their emotions, and providing multiple opportunities for them to share their emotions. Conversely, DES focuses on cognitive aspects of emotions by exploring alternative ways of thinking, doing, perceiving, and understanding L2 PSTs’ teaching. When L2 PSTs have a greater cognitive pool of options from which to orient themselves toward their teaching, they appear to be able to change their thinking, feelings, and activity related to their teaching. Essentially, L2 PSTs transform as a result of DES. My findings clearly indicate that emotions signify areas of significance to L2 PSTs and thus, are rich areas for exploration for learning. Teacher educators should focus on supporting cognitive understandings connected to expressed emotions to help foster L2 PST growth and development. When teacher educators approach emotions as being rooted in cognition, they are able to reimagine emotions as points of learning instead of states of being.Item A Qualitative Study of Undergraduate Instrumentalists Teaching Elementary General Music Education(2012) Corfield-Adams, Maggie; Carter, Bruce; Hughes, Sherick; Music; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The central purpose of this multiple-case study was to describe the professional identities of six general music teachers who identified as instrumentalists as undergraduates. The study builds upon research addressing why students choose music education (Bergee, et al., 2001; Bright, 2006; Gillespie & Hamann, 1999; Lee, 2003; Madsen & Kelly, 2002) and the reasons some instrumentally "tracked" students may choose general music (Anderson-Nickel, 1997; Robinson, 2010). This study investigated tensions between the participants' instrumental backgrounds and the professional demands of general music teaching, and the role of those tensions in shaping professional identities. The conceptual framework is grounded in the work of Gee (2000) who suggests that the existence of identities requires interpretive systems through which individuals and institutions interact. The study describes tensions between institutional identities and core identities as important to the process of participants' professional identity development. Participants were general music teachers, 24 - 51 years of age, from different undergraduate institutions and who teach in different regions of the country. Semi-structured interviews, participant essays, transcripts, notebooks, and institutional websites were used for data collection. Participants' stories represent both narrative inquiry and case study approaches to qualitative research. Data analysis included a process of recontextualization (Coffey & Atkinson, 1996) to facilitate the production of narratives and coding techniques in individual and cross-case analysis. Cross-case analysis revealed seven emergent themes: (1) concerns about "perceived limitations" (Robinson, 2010, p. 41) of ensemble teaching as an important factor in the choice to teach general music, (2) the structure and requirements of directing a band as a factor in a turn toward working with younger students, (3) the unique structure of general music classes as a source of initial challenge, (4) a given curriculum or scope and sequence as something of value, (5) vocal teaching as a unique challenge for some instrumentally-trained general music teachers, (6) changes in self-identification as linked to agreements between institutional identities and core identities, and (7) professional positionality in relation to students, not colleagues. The concluding section offers suggestions for future research and implications for undergraduate music programs and school systems.Item A Systematic Review of Music Teacher Education Research within the United States:1982-2010(2012) Rumpf, Randy J. J.; Hewitt, Michael; Music; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Music education researchers have explored several issues within music teacher education (MTE) including: coursework, teacher and musicianship skills, design and implementation of undergraduate programs, and music teacher identity development. An examination and discussion of this research will assist those responsible for educating future music teacher educators with developing meaningful and effective teacher training programs. In this systematic review, I examined the research published in peer-review journals between 1982 and 2010 and defended music education dissertations between 2005 and 2010. The purpose of the current synthesis was to synthesize peer-review research relating to MTE and to recount the findings and connections of existing research for current music teacher educators. Before studies were included in the synthesis, I reviewed each one to ensure they met the following inclusion criteria: (a) relevant to the proposed research questions under consideration; (b) published in a peer-review journal or a defended dissertation between 2005-2010; (c) printed in English; (d) published between 1982 and July 2010; (e) involved subjects who were members of an undergraduate teacher preparation program in the United States; (f) detailed in the presentation of the methodology; and (g) presented the content so that relevant information could be attained. To further explore the implications of the current synthesis' findings, three practicing music teacher educators completed a two-part questionnaire designed to elicit information about their perspectives of MTE research and opinions of the current findings. I reviewed, categorized, and reported responses from each questionnaire as part of the research synthesis intending to identify the role of research in MTE, commonalities, possible concerns, and possible future research needs for meaningful research agendas specific to music teacher education.