College of Arts & Humanities
Permanent URI for this communityhttp://hdl.handle.net/1903/1611
The collections in this community comprise faculty research works, as well as graduate theses and dissertations.
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Item Field Notes from the Light: An Ethnographic Study of the Meaning and Significance of "Near-Death Experiences"(2007-08-03) Gordon, Laura Suzanne; Caughey, John L; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation is based on a comprehensive study which investigated the meaning and social significance of "near-death experiences" (NDEs) by situating 50 experiencers (NDErs) as the "inside" experts on these profound, subjective experiences and their real-world impact. I used a phenomenological, "person-centered" ethnographic approach, new to Near-Death Studies, to make experiencers' lives the orienting framework for my study. Informed by "reformist" qualitative-research ethics and health-education-and-counseling values, I analyzed study-participants' life-history narratives against medical-scientific Near-Death Studies explanatory models, an NDE-Integration-Trajectory (NDE IT) patterns model, and social construction and identity-alternation theory. My findings were, first, that study participants' descriptions of NDE impact and aftereffects, which matched previous findings, were adequately explained by neither social construction nor medical-scientific theory. Second, participants in this and previous studies described significant NDE interpretation and integration problems, in which I recognized a previously unidentified, health-education-and-counseling-related, pattern of unmet NDE integration needs. Third, my findings supported the previous NDE IT findings and model; and also recognized the importance of individuals' multiple cultural meaning systems in shaping their NDE integration patterns.. Fourth, 29 of 50 study participants had not sought out and did not identify Near-Death Studies as a useful NDE integration context or resource; and they described it negatively if they mentioned it at all. Moreover, the 21 participants who had sought a connection with Near-Death Studies expressed similar dissatisfactions. My findings speak to the need for development of a research agenda and model(s) designed to assess and address the education and counseling needs of tens of millions of NDErs, and their health care providers. My analysis addresses the potential social-wellness value, as well as the needs, of a community of 13 million adult NDErs, in the U.S. alone. It situates its analysis within a context of escalating social and ecological crises and an in-progress paradigm-shift away from the still-official Newtonian/Cartesian material world view of Western culture. It recognizes the potential social value of NDErs' collective visibility as agents, among many others of a (re)emergent sacred worldview; one that is linked to the world views of diverse indigenous knowledge systems as well as of quantum physics.Item El Rocío: A Case Study of Music and Ritual in Andalucía(2007-04-26) Poole, W. Gerard; Robertson, Carolina; Music; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Music is central to the processional pilgrimage of El Rocío, which attracts hundreds of thousands of pilgrims to Andalusia, Spain, late each spring. The pilgrimage affords a unique view, in microcosm, of the relationships between music and ritual from both ritual-studies and ethnomusicological perspectives. Based on extensive fieldwork and other research, this dissertation explores the nexus of the Catholic ritual system in Andalusia, flamenco, and the specific music of El Rocío: the Sevillanas Rocieras. That nexus becomes clear through exploration of three particular features of the pilgrimage: (1) the devotional processions that generate a single, focused, collective emotion; (2) the Andalusian musical form called the palo; and (3) the informal musical gatherings called juergas, which take place nightly along the route. Analysis of structural and morphological relationships between ritual, music, and emotion yields surprising realizations about how these three elements come together as embodied aesthetics within a communitas to generate popular culture. Another important finding of this work is the necessity of placing, at the center of the inquiry, the religious experience—including the curious Andalusian phenomenon of the “chaotic” emotional procession and its role within the overall pilgrimage and ritual system. The dissertation concludes with two theoretical positions. The first addresses the process of “emotional structuring” and its role within the musical rituals of El Rocío and, by extension, Andalusia. The second advances a theory of ritual relations with potential application to ritual systems beyond Andalusia. The author presents both positions within an evolutionary framework based on the tenets of biomusicology, neurophenomenology, and Peircean semiotics.Item Reviewing United Nations World Conferences on Women for Korean Women's Empowerment(2004-04-13) Bae, Geum-Joo; Moses, Claire; Women's StudiesThis thesis explores the historical shifts of the United Nations world conferences on women, considering what is at stake in "thinking globally and acting locally," especially for the Korean women's movement. The following questions are addressed: How have the main issues shifted from the first conference in 1975 to the final one in 2000? What were the linkages between practical issues and epistemic discourses during this process? What kinds of power dynamics have been working in the global arena in terms of transnational feminism? In what context could diverse women's groups succeed in negotiating and producing a consensus? How has the Korean women's movement interacted with the international process? And, in conclusion, what concrete measures might Korean policymakers and women's movement activists undertake as feminists pursuing gender equality?