College of Arts & Humanities
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The collections in this community comprise faculty research works, as well as graduate theses and dissertations.
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Item Searching for Meaning in Law, Literature, and Language(2006-05-03) DeSanctis, Christy Hallam; Israel, Michael; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This paper presents a preliminary analysis of the potential application of literary theory and cognitive language theory to the law, specifically to the judicial process of statutory interpretation. The process of interpreting statutory text has long been the subject of a polarized debate in the law and has produced competing approaches for carrying out the task of meaning construction. Equally as intriguing as the merits of the debate itself, however, is the staunch reticence among members of the legal community to employ insights from other disciplines that have long grappled with similar debates over ways in which a written text acquires or is assigned meaning. Observations from literary theory and cognitive linguistic theory can be instructive in revealing the legal community's interpretive assumptions and in enriching the vocabulary of the legal debate.Item A Syntactic Structure of Lexical Verbs(2005-12-12) Mori, Nobue; Uriagereka, Juan; Linguistics; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)In this thesis, I propose a syntactic structure for verbs which directly encodes their event complexities. I present a model that is 'internalist' in the Chomskyan sense: Aktionsart properties of predicates are not a real-world affair, but the interpretation of a mind structure. For this purpose, I base my proposal on the Dimensional Theory of Uriagereka (2005, forthcoming). Syntactic constructs are in this view the results of operations that create increasingly complex objects, based on an algorithm that is homo-morphic with the structure of numerical categories. First, I propose that Aktionsart can be read off from structural complexities of syntactic objects and their associated 'theta-roles'. Specifically, I present the SAAC Hypothesis: Syntactic complexity in a verb is reflected in the number of syntactic arguments it takes. This approach, within the confines of the Dimensional Theory, results in an emergent 'thematic hierarchy': Causer > Agent > Locative > Goal > Theme. I test the accuracy of this hierarchy and concomitant assumptions through paradigms like the control of implicit arguments, selectional properties of verbs, extractions, aspect-sensitive adverbials, etc. Second, I argue that the verbal structure I propose is syntactically and semantically real, by extending the proposal in Lasnik (1999) on VP ellipsis from inflectional to derivational morphology. I discuss two contrasting methods of morphological amalgamation in English and Japanese, executed in Syntax and PF, respectively. This demonstrates a tight network of entailment patterns that holds of verbs, derived crucially from the architecture I argue for. Third, an analogous point is made through the structural positionings of causative and inchoative derivational morphemes in Japanese. There, each order of structural complexity has a profound impact on the class of eventualities a derivational morpheme can describe. 'Dimensional talks' are observed between certain derivational morphemes, which presumably find their roots in operations of the computational system within the Dimensional Theory. I show that the verbal structure in Japanese reflects directly an underlying bi-clausality that I argue for, in terms of derivational morphemes, further supporting a natural mapping between syntax and semantics. This is, in the end, an attempt for a 'Minimalist' theory of Aktionsart.Item Proust and the Discourse on Habit(2004-12-20) Loeserman, Amy Ross; Verdaguer, Pierre; French Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)A la recherche du temps perdu by Marcel Proust is replete with a discourse by the principal character, the narrator Marcel, on the subject of habit ("habitude" in French). This discourse meticulously explores the ubiquitous but concealed role that habit plays with respect to the most significant aspects of life, such as emotions, cognitive processes, and aesthetic experiences, and it explicitly relates not only to the novel's characters, but to humanity in general. The critical commentary on the novel has largely ignored this subject. This dissertation provides the only comprehensive collection and analysis of the Proustian commentary on habit in A la recherche du temps perdu. It is not by chance that habit was deeply explored in Proust's novel or that it has been largely overlooked by the critical commentary. Historically, philosophers have paid substantial attention to habit. Habit was a focus of controversial philosophical/psychological theories in 19th century France regarding memory and consciousness, spirit and matter. Proust's commentary was directly related to the prominent philosophical issues of his time. This dissertation discusses the broad meanings of habit, first as developed by Aristotle and St. Thomas; then by French essayists, through Montaigne, Pascal, and the philosophes; and finally culminating in the great 19th century works on habit by Maine de Biran and Félix Ravaisson. It also reviews substantial contributions on habit made by other French writers and philosophers, notably Stendhal and Alfred Fouillée. Proust's reflections on habit may thus be appreciated in context. This dissertation then analyzes the contributions which Proust's novel made to contemporary theories on habit and argues that they were substantial. It also argues that presentations of the major themes in the novel should include, prominently, habit. For example, on the philosophical plane, Proust's theories relating to involuntary memory and time are inextricably interwoven with his theories on habit. Finally, this dissertation considers why habit fell out of the philosophical/psychological discourse after about 1930, and the extent to which Proust's novel may inform the philosophical/psychological/biological discourse in the 21st century, which is reflecting a renewed interest in habit. A la recherche du temps perdu by Marcel Proust is replete with a discourse by the principal character, the narrator Marcel, on the subject of habit ("habitude" in French). This discourse meticulously explores the ubiquitous but concealed role that habit plays with respect to the most significant aspects of life, such as emotions, cognitive processes, and aesthetic experiences, and it explicitly relates not only to the novel's characters, but to humanity in general. The critical commentary on the novel has largely ignored this subject. This dissertation provides the only comprehensive collection and analysis of the Proustian commentary on habit in A la recherche du temps perdu. It is not by chance that habit was deeply explored in Proust's novel or that it has been largely overlooked by the critical commentary. Historically, philosophers have paid substantial attention to habit. Habit was a focus of controversial philosophical/psychological theories in 19th century France regarding memory and consciousness, spirit and matter. Proust's commentary was directly related to the prominent philosophical issues of his time. This dissertation discusses the broad meanings of habit, first as developed by Aristotle and St. Thomas; then by French essayists, through Montaigne, Pascal, and the philosophes; and finally culminating in the great 19th century works on habit by Maine de Biran and Félix Ravaisson. It also reviews substantial contributions on habit made by other French writers and philosophers, notably Stendhal and Alfred Fouillée. Proust's reflections on habit may thus be appreciated in context. This dissertation then analyzes the contributions which Proust's novel made to contemporary theories on habit and argues that they were substantial. It also argues that presentations of the major themes in the novel should include, prominently, habit. For example, on the philosophical plane, Proust's theories relating to involuntary memory and time are inextricably interwoven with his theories on habit. Finally, this dissertation considers why habit fell out of the philosophical/psychological discourse after about 1930, and the extent to which Proust's novel may inform the philosophical/psychological/biological discourse in the 21st century, which is reflecting a renewed interest in habit. A la recherche du temps perdu by Marcel Proust is replete with a discourse by the principal character, the narrator Marcel, on the subject of habit ("habitude" in French). This discourse meticulously explores the ubiquitous but concealed role that habit plays with respect to the most significant aspects of life, such as emotions, cognitive processes, and aesthetic experiences, and it explicitly relates not only to the novel's characters, but to humanity in general. The critical commentary on the novel has largely ignored this subject. This dissertation provides the only comprehensive collection and analysis of the Proustian commentary on habit in A la recherche du temps perdu. It is not by chance that habit was deeply explored in Proust's novel or that it has been largely overlooked by the critical commentary. Historically, philosophers have paid substantial attention to habit. Habit was a focus of controversial philosophical/psychological theories in 19th century France regarding memory and consciousness, spirit and matter. Proust's commentary was directly related to the prominent philosophical issues of his time. This dissertation discusses the broad meanings of habit, first as developed by Aristotle and St. Thomas; then by French essayists, through Montaigne, Pascal, and the philosophes; and finally culminating in the great 19th century works on habit by Maine de Biran and Félix Ravaisson. It also reviews substantial contributions on habit made by other French writers and philosophers, notably Stendhal and Alfred Fouillée. Proust's reflections on habit may thus be appreciated in context. This dissertation then analyzes the contributions which Proust's novel made to contemporary theories on habit and argues that they were substantial. It also argues that presentations of the major themes in the novel should include, prominently, habit. For example, on the philosophical plane, Proust's theories relating to involuntary memory and time are inextricably interwoven with his theories on habit. Finally, this dissertation considers why habit fell out of the philosophical/psychological discourse after about 1930, and the extent to which Proust's novel may inform the philosophical/psychological/biological discourse in the 21st century, which is reflecting a renewed interest in habit. A la recherche du temps perdu by Marcel Proust is replete with a discourse by the principal character, the narrator Marcel, on the subject of habit ("habitude" in French). This discourse meticulously explores the ubiquitous but concealed role that habit plays with respect to the most significant aspects of life, such as emotions, cognitive processes, and aesthetic experiences, and it explicitly relates not only to the novel's characters, but to humanity in general. The critical commentary on the novel has largely ignored this subject. This dissertation provides the only comprehensive collection and analysis of the Proustian commentary on habit in A la recherche du temps perdu. It is not by chance that habit was deeply explored in Proust's novel or that it has been largely overlooked by the critical commentary. Historically, philosophers have paid substantial attention to habit. Habit was a focus of controversial philosophical/psychological theories in 19th century France regarding memory and consciousness, spirit and matter. Proust's commentary was directly related to the prominent philosophical issues of his time. This dissertation discusses the broad meanings of habit, first as developed by Aristotle and St. Thomas; then by French essayists, through Montaigne, Pascal, and the philosophes; and finally culminating in the great 19th century works on habit by Maine de Biran and Félix Ravaisson. It also reviews substantial contributions on habit made by other French writers and philosophers, notably Stendhal and Alfred Fouillée. Proust's reflections on habit may thus be appreciated in context. This dissertation then analyzes the contributions which Proust's novel made to contemporary theories on habit and argues that they were substantial. It also argues that presentations of the major themes in the novel should include, prominently, habit. For example, on the philosophical plane, Proust's theories relating to involuntary memory and time are inextricably interwoven with his theories on habit. Finally, this dissertation considers why habit fell out of the philosophical/psychological discourse after about 1930, and the extent to which Proust's novel may inform the philosophical/psychological/biological discourse in the 21st century, which is reflecting a renewed interest in habit. A la recherche du temps perdu by Marcel Proust is replete with a discourse by the principal character, the narrator Marcel, on the subject of habit ("habitude" in French). This discourse meticulously explores the ubiquitous but concealed role that habit plays with respect to the most significant aspects of life, such as emotions, cognitive processes, and aesthetic experiences, and it explicitly relates not only to the novel's characters, but to humanity in general. The critical commentary on the novel has largely ignored this subject. This dissertation provides the only comprehensive collection and analysis of the Proustian commentary on habit in A la recherche du temps perdu. It is not by chance that habit was deeply explored in Proust's novel or that it has been largely overlooked by the critical commentary. Historically, philosophers have paid substantial attention to habit. Habit was a focus of controversial philosophical/psychological theories in 19th century France regarding memory and consciousness, spirit and matter. Proust's commentary was directly related to the prominent philosophical issues of his time. This dissertation discusses the broad meanings of habit, first as developed by Aristotle and St. Thomas; then by French essayists, through Montaigne, Pascal, and the philosophes; and finally culminating in the great 19th century works on habit by Maine de Biran and Félix Ravaisson. It also reviews substantial contributions on habit made by other French writers and philosophers, notably Stendhal and Alfred Fouillée. Proust's reflections on habit may thus be appreciated in context. This dissertation then analyzes the contributions which Proust's novel made to contemporary theories on habit and argues that they were substantial. It also argues that presentations of the major themes in the novel should include, prominently, habit. For example, on the philosophical plane, Proust's theories relating to involuntary memory and time are inextricably interwoven with his theories on habit. Finally, this dissertation considers why habit fell out of the philosophical/psychological discourse after about 1930, and the extent to which Proust's novel may inform the philosophical/psychological/biological discourse in the 21st century, which is reflecting a renewed interest in habit.