College of Arts & Humanities

Permanent URI for this communityhttp://hdl.handle.net/1903/1611

The collections in this community comprise faculty research works, as well as graduate theses and dissertations.

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2015 - 201912020 - 20232

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Subject: search.filters.subject.Fine Art

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Now showing 1 - 3 of 3
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    Embrace the Wave
    (2023) Shahramipoor, Hosna; Strom, Justin; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    Everything in the universe is made up of waves. "Embrace the Wave" is a journey of self-discovery, in which our own inner waves can resonate with and influence the world around us, dissipate, magnify, and transform.
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    Mingling Echoes
    (2020) Koch, Lauren Grace; Craig, Patrick; Strom, Justin; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    Mingling Echoes is an exhibition comprised of written word, alchemic reactions, found and repurposed objects, as well as sculptural forms of my own creation. All are abstractions from my subconscious, and they are blended with influential objects from my past in an intuitive manner. The following abstract gives a glimpse into my inspirations and personal experiences that have led to how I perceive memories are connected, intertwined, and ultimately, triggered. Additionally, I included two contemporary artists in whose work I find correlations with my own. The found and repurposed objects come from my personal collection that I have amassed over the past three decades from myriad places including my grand-parents’ property, gifts, flea markets, junk yards, antique/vintage shops, and roadsides.
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    Love-cheek, Azteca
    (2015) Hamami, Aydin; Klank, Richard; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    The act of painting is one of a physical, visceral nature, in which the intangible is made tangible, removed from our world in such a way as you allow us an abstract viewership, and intimately tied to our own physicality. The mind of the painter is one that must be simultaneously present and absent from the world of the moment. The following is a recounting of events that have led to the understanding of studio practice that my work exemplifies today, and a dissection of the significance of the actions of the artist within the studio space as well as in relation to the art object at its end.