College of Arts & Humanities
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The collections in this community comprise faculty research works, as well as graduate theses and dissertations.
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Item Riots and Revolution: Food Riots in the Department of the Seine-et-Oise, 1789-1795(1994) Sanyal, Sukla; Cockburn, James; History; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)This dissertation is a diachronic study of the food riots that broke out in the department of the Seine-et-Oise from 1789 through 1795. The purpose of the dissertation is to study one of the most common forms of popular protest in France in all its complexity. This study traces the riots downs the years and situates them within a specific political and economic context. It argues that as the Political and economic circumstances changed, the riots changed in form and content from market riots to stoppages of convoys to invasions into the homes of farmers. The dissertation also examines how the Revolution affected the rioters, not only in their material lives, but in their thinking and ideology as well. Chapter II traces the breadth and scope of the riots. Chapter III is a study of the connections between the policies of the revolutionary governments towards the commerce of foodstuff and the outbreak of the riots. It is shown that the riots changed in form over the years as the rioters sought to deal with the consequences of governmental legislation at different periods. Chapter IV examines the causes of the riots. It studies the long term and short term causes of the riots as well as the immediate causes. In this context, the chapter examines the social structure of the Seine-et-Oise , the effects of the policy of liberalization of the commerce of foodstuff and the effects of war. Chapter V studies the motivations, the organization and the composition of the riot groups. It argues that the Revolution had a direct impact on the mentalities of the rioters. As the years progressed the outlook of the rioters became steadily more radical, and they came to believe that political rights, and a Constitution which protected their interests, would alone solve the problem of subsistence in France. The sources for this study are the administrative records, police records, judicial records, legislative edicts, price lists and propaganda pamphlets found in the Archives Nationales at Paris, the Departmental Archives at Yvelines and Corbeil-Essonnes and the Bibliotheque de la Ville de Paris.Item PERFORMANCE OF THE VIOLIN CONCERTO AND SONATAS OF JOHANNES BRAHMS WITH AN ANALYSIS OF JOSEPH JOACHIM'S INFLUENCE ON HIS VIOLIN CONCERTO(1997) Hsieh, I-Chun; Heifetz, Daniel; Music; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)This dissertation consists of a performance project and extensive studies of selected works by Johannes Brahms, including the Violin Concerto, Sonatensatz, and three Violin Sonatas. The performance project was presented in two recitals at the University of Maryland, College Park, on November 14, 1997, and November 16, 1997. The first recital featured Brahms' s Sonatensatz in C Minor, Violin Sonata No. I, Op. 78 in G Major, and Violin Sonata No. 3, Op. 108, in D Minor. The second recital included Brahms' s Violin Sonata No.2, Op. 100, in A Major and Violin Concerto Op. 77, in D Major. Section One gives an overview of this dissertation project. Section Two introduces the violin virtuoso Joseph Joachim, his relationship with Johannes Brahms, and Brahms' s life and major violin works. This section also analyzes Joachim' s performance practice and his teaching style. The end of this section focuses on the influence of Joseph Joachim on Brahms' s Violin Concerto and indicates the differences between Brahms' s original manuscript and the version suggested by Joachim. Section Three is composed of the programs of the two recitals. Section Four consists of program notes for the two recitals. The first recital was performed by I-Chun Hsieh, violin and Roy Hakes, piano. The second recital was performed by I-Chun Hsieh, violin and Chia-Hsuan Lee, piano.Item Baroque Plague Imagery and Tridentine Church Reforms(1990) Boeckl, Christine M.; Pressly, William; Art History & Archaeology; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)This dissertation aims to achieve two goals: one, to assemble as many facts as possible about the plague, regardless of period, and to relate this material to images; and two, to present a well-defined group of religious baroque plague paintings in the context of social, political and religious history. This inquiry is primarily concerned with scenes that portray saints actively involved in charitable pursuits, dispensing the sacraments to victims of the most dreaded disease, the bubonic plague. Chapter I contains a bibliographical essay, divided into three parts: medicine, theology, and art history. The next chapter considers the sources and the formation of baroque plague iconography. The remaining two chapters discuss "documentary" plague scenes and how they relate to historic events. They are presented in two sections: Italy and transalpine countries. This interdisciplinary research resulted in a number of observations. First, these narrative plague scenes were produced in Italy and in Catholic countries bordering Protestant regions: Switzerland, France, Flanders, and in the Habsburg Empire (excluding Spain). Second, the painters were mostly Italian or Italian-trained. Third, the artists observed not only the requirements specified by the Church in the 1563 Tridentine Decree on the Arts but also reflected in their work the catechetic teachings of the Council. Fourth, these religious scenes were not votive paintings but doctrinal images that served either didactic or polemic functions. Fifth, the scenes were not intended as memento mori; rather, the iconology conveyed positive images which emphasized that the faithful needed the Roman Catholic clergy to gain life-everlasting. Sixth, these plague paintings were important documents not as recordings of the conditions experienced during an epidemic but as historic testimony of liturgical practices. Last, these selected scenes mirrored the baroque Church's views on the ultimate questions about life and death.Item The Folklore and Life of My Native Country in Pictorial Terms(1967) Al-Harithi, Naziha Rashid; Maril, Herman; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)The content of this thesis exhibition is involved in exploration of the folklore and life of the people of my native country in terms of a more contemporary painting language. Color symbols and patterns play a great role in these concepts.Item The Washington Bronze Dionysos(1994) Bennet, Susanne Klejman; Venit, Marjorie Susan; Art History & Archaeology; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)A life-size bronze of a nude youth was discovered in a river in Asia Minor in the early 1960's. The bronze no longer had the iconographic attributes that it had once held in its hands, but the head presented features which made it possible to identity the figure as representing the god Dionysos. The sculptor drew upon earlier prototypes, specifically a figure called the Westmacott athlete, which has been tentatively attributed to the Greek sculptor Polykleitos. The head of the statue reflects a different, possibly female, prototype. An investigation of a group of Roman life-size and three quarter life-size bronzes reveals that the iconographic details which identity the Washington Bronze also place it outside the category of lamp hearers to which the majority of the other statues belong. The physiques of the majority of the lamp bearers and of the Washington Bronze, however, reflect the same Polykleitan prototypes. The identification of the Washington Bronze as a devotional rather than functional statue is made through a study of the literary, religious, and archaeological evidence. The evolution in the iconography of the god is traced through his portrayals on Greek vases and in Graeco-Roman bronze and marble statuary. The Bronze was created in the Eastern Roman Empire. Through a comparative analysis of other bronzes it can be dated within the period between the beginning of the Augustan era and the third quarter of the first century A. D. A setting in the home of a devotee of the Dionysian Mysteries is adduced.Item Paolo and Francesca: Unfulfilled Love in Nineteenth-Century French Art(1986) Hall, Pamela Rae; Hargrove, June E.; Art History & Archaeology; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)During the nineteenth century, the Divine Comedy became an important source of inspiration for French artists. Chief among the episodes represented was Dante's account of Paolo and Francesca, illicit lovers condemned to the Inferno's Circle of the Lustful. This paper examines specific portrayals of the Francesca tragedy and seeks to explain why the theme became especially favored by the French. The method is three fold: First, to trace the history of Dante's popularity in France; second, to analyze the thematic changes which occurred in depictions of Paolo and Francesca between 1800 and 1880; and finally, to consider the ways in which these works were influenced by contemporary philosophies and events. An historical survey of the popularity of the Divine Comedy closely indicates that France's admiration for Dante was linked to the appearance of numerous French translations of his chef d'oeuvre. Artists responded to the public's growing appreciation of the epic by incorporating Dantesque themes into their subjects: at least 111 works inspired by the Divine Comedy were exhibited at the Salon during the first three-quarters of the nineteenth century -- of these 43 were based on Francesca's tale. The Francesca episode enjoyed prominence throughout the century largely because it was relevant to the advancing political, social, religious and artistic mores of society. The motif could be adapted to address sentimentality or melancholy. It could provide a moralizing lesson on lascivious living or serve as a pretext for eroticism. The theme of unfulfilled love, popular throughout the century, was embodied in Paolo and Francesca as either chaste, lamentable, deplorable or impassioned.Item Topics in the Syntax and Semantics of Coordinate Structures(1993) Munn, Alan Boag; Hornstein, Norbert; Linguistics; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)This thesis is concerned with developing a syntax for coordinate structures which is compatible with both the syntactic behaviour of conjunction structures and with their semantics. It argues that coordinate structures are asymmetrical, hierarchical structures that conform with X-bar theory. The conjunction head projects a phrase which is adjoined to the first conjunct. This provides an account of a number of syntactic asymmetries in conjunct ordering including agreement and binding asymmetries and provides a principled analysis of Across-the-Board extraction as instances of parasitic gaps. It further argues that the Coordinate Structure Constraint cannot be a syntactic constraint, but rather must be a condition on conjoining identical semantic categories. This provides an account of unlike category coordination which is shown to be freely possible if semantic identity is preserved and no independent syntactic constraints are violated, a result which follows from the adjunct nature of the coordinate structure. In order to account for the semantic identity, it is proposed that at Logical Form, each conjunct is a predicate in an identification relation with the conjunction head, which raises to take scope over all the conjuncts. Assuming theta role assignment at LF, only the conjunction head receives a theta role; none of the conjuncts does. Because each conjunct is in a predication relation with the conjunction head at LF, the semantic identity constraint follows directly. The fact that the conjuncts do not receive a theta role accounts for their inability to act as antecedents for reflexive binding and for fact that modal adverbs can appear inside conjoined NPs. The proposed analysis assimilates coordinate structures directly to plurals, and argues that a consequence of the proposed LF is that all natural language conjunction and disjunction is group forming rather than propositional. All semantic ambiguities between distributed and collective coordination can then be derived with the appropriate logical representation for plurals in general, rather than having a separate semantics altogether for coordination.Item Inter-Ethnic Relations on New England's Frontier: A Survey of the Formative Period(1969) Cole, Robert A.; Van Ness, James S.; History; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)In many respects, the form and progression of the New England frontier reflects a collision, of sorts, between two disparate peoples and their two divergent cultures. As the European confronted the native American in the wilderness setting, it soon became apparent that the demise of the Indian culture was inevitable, the only salient question being as to the nature of its decline. A close examination of early Seventeenth Century relations shows the English as ambitious and militant expansionists who not only rejected the idea of cultural coexistence, but, in regarding the Indian solely from a European frame of reference, failed to make any substantial progress toward a theory of toleration. The English were highly organized, strongly motivated, and eminently successful in their pursuit of the long range goals of settlement; and it is the very cohesiveness of the Puritan frontier which best illuminates the fateful dilemma of the indigenous population. While fragmented by tribal particularism and internecine warfare, the native New Englanders were beset on all sides by enemies, European and Indian. Though willing, at first, to contest a permanent European colonial effort, their cultural resiliency was undermined by disease, and a multiplicity of negative factors which developed as their relationships with the English settlements moved toward interdependency. As the confrontation moved into the climactic period following the Pequot War, the weight of the English presence had already brought about irreversible trends in the Indian way of life. With his lands diminishing under the pressure of two converging lines of frontier settlement, he was finally left, with two impractical options, acculturation or resistance. Both charted a course to futility.Item The Influence of Jacob Bryant on William Blake(1969) Svatik, Stephen Jr.; Howard, John; English; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)To understand William Blake's complex mythology, one must understand the sources of his theories. A primary source of mythic material in the eighteenth century was the research and writings of the antiquarians, principally of Jacob Bryant. Blake shared with the antiquarians a desire to understand the origins of man and of the development of man's political and religious institutions. But while the mythographers concentrated on giving simply a temporal account of the development of man and society, Blake expanded on their accounts of history by analyzing the importance of inner man in the development of his social institutions. In A New System, Jacob Bryant discusses three points of mutual interest for Blake. First, he dismisses Greek mythology for having corrupted the truth concerning man's past. Second, he attributes the degeneration of religion to man's error of materialism. And third, he discusses the fragmentation of society and man's subsequent fall from an earlier period of unity, freedom, and peace. Blake's writings contain concepts similar to those of Bryant, but Blake modified and refined them to fit into his unique mythological structure. Blake's most significant departure from Bryant is his paralleling of man's social and political conflicts with man's failure to maintain an equilibrium of his inner essences in his establishing a ratio between the inner man and the outer world. Blake's mythopoeic imagination surpasses those of Bryant and the antiquarians in meaning and significance when he goes on to forsee man's return to unity, to a Golden Age of freedom and peace.Item Slaveholding and Indentured Servitude in Seventeenth Century Maryland, 1674-1699(1968) Payne, Philip Marshall; Land, Aubrey C.This thesis is concerned with the characteristics of slaveholding and indentured servitude in seventeenth century Maryland, so far as these can be delineated from quantitative data. on the basis of a quantitative analysis of personal estates in the Inventories and Accounts of the Probate Court, several conclusions are apparent . These can best be stated in summary form in six propositions . First, estates with bond labor (slaves and/or servants) decreased from 36 per cent of the total number of estates during the period 1674 to 1679 to 24 per cent in 1695 to 1699. Second, the percentage of estates with slaves (slaves only or slaves and servants) increased from 24 per cent of those estates with bond labor in the period 1674 to 1679 to 72 per cent in 1695 to 1699. Third, the average number of slaves per estate (of those estates holding slaves) increased from 2.89 in the period 1674 to 1679 to 5.50 in 1695 to 1699. The average number of servants per estate (of those holding servants) decreased from 2.88 in the period 1674 to 1679 to 2.15 in 1695 to 1699. Fourth, those who invested 0 to 20 per cent of their total income in bond labor decreased, while those who invested 21 to 40 per cent of their total income in bond labor remained fairly constant. Those who invested 41 to 70 per cent of their total income in slaves and/or servants increased during the twenty-six year period. Fifth, there appeared to be a concentration of slaves in the hands of the wealthy. over the twenty-six year period, 17.6 per cent of the estates with bond labor held 52.2 per cent of the total number of slaves. Sixth, the average value of male slaves during the period was between L21 and L25; the average value of a female slave was Ll6 to L20 for the first several decades and L21 to L25 for the last decade. The average value for servants ranged from Ll to LlO, with the value increasing as the time of service increased.