College of Arts & Humanities

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The collections in this community comprise faculty research works, as well as graduate theses and dissertations.

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The Folklore and Life of My Native Country in Pictorial Terms
(1967) Al-Harithi, Naziha Rashid; Maril, Herman; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)
The content of this thesis exhibition is involved in exploration of the folklore and life of the people of my native country in terms of a more contemporary painting language. Color symbols and patterns play a great role in these concepts.
Inter-Ethnic Relations on New England's Frontier: A Survey of the Formative Period
(1969) Cole, Robert A.; Van Ness, James S.; History; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)
In many respects, the form and progression of the New England frontier reflects a collision, of sorts, between two disparate peoples and their two divergent cultures. As the European confronted the native American in the wilderness setting, it soon became apparent that the demise of the Indian culture was inevitable, the only salient question being as to the nature of its decline. A close examination of early Seventeenth Century relations shows the English as ambitious and militant expansionists who not only rejected the idea of cultural coexistence, but, in regarding the Indian solely from a European frame of reference, failed to make any substantial progress toward a theory of toleration. The English were highly organized, strongly motivated, and eminently successful in their pursuit of the long range goals of settlement; and it is the very cohesiveness of the Puritan frontier which best illuminates the fateful dilemma of the indigenous population. While fragmented by tribal particularism and internecine warfare, the native New Englanders were beset on all sides by enemies, European and Indian. Though willing, at first, to contest a permanent European colonial effort, their cultural resiliency was undermined by disease, and a multiplicity of negative factors which developed as their relationships with the English settlements moved toward interdependency. As the confrontation moved into the climactic period following the Pequot War, the weight of the English presence had already brought about irreversible trends in the Indian way of life. With his lands diminishing under the pressure of two converging lines of frontier settlement, he was finally left, with two impractical options, acculturation or resistance. Both charted a course to futility.
The Influence of Jacob Bryant on William Blake
(1969) Svatik, Stephen Jr.; Howard, John; English; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)
To understand William Blake's complex mythology, one must understand the sources of his theories. A primary source of mythic material in the eighteenth century was the research and writings of the antiquarians, principally of Jacob Bryant. Blake shared with the antiquarians a desire to understand the origins of man and of the development of man's political and religious institutions. But while the mythographers concentrated on giving simply a temporal account of the development of man and society, Blake expanded on their accounts of history by analyzing the importance of inner man in the development of his social institutions. In A New System, Jacob Bryant discusses three points of mutual interest for Blake. First, he dismisses Greek mythology for having corrupted the truth concerning man's past. Second, he attributes the degeneration of religion to man's error of materialism. And third, he discusses the fragmentation of society and man's subsequent fall from an earlier period of unity, freedom, and peace. Blake's writings contain concepts similar to those of Bryant, but Blake modified and refined them to fit into his unique mythological structure. Blake's most significant departure from Bryant is his paralleling of man's social and political conflicts with man's failure to maintain an equilibrium of his inner essences in his establishing a ratio between the inner man and the outer world. Blake's mythopoeic imagination surpasses those of Bryant and the antiquarians in meaning and significance when he goes on to forsee man's return to unity, to a Golden Age of freedom and peace.
Slaveholding and Indentured Servitude in Seventeenth Century Maryland, 1674-1699
(1968) Payne, Philip Marshall; Land, Aubrey C.
This thesis is concerned with the characteristics of slaveholding and indentured servitude in seventeenth century Maryland, so far as these can be delineated from quantitative data. on the basis of a quantitative analysis of personal estates in the Inventories and Accounts of the Probate Court, several conclusions are apparent . These can best be stated in summary form in six propositions . First, estates with bond labor (slaves and/or servants) decreased from 36 per cent of the total number of estates during the period 1674 to 1679 to 24 per cent in 1695 to 1699. Second, the percentage of estates with slaves (slaves only or slaves and servants) increased from 24 per cent of those estates with bond labor in the period 1674 to 1679 to 72 per cent in 1695 to 1699. Third, the average number of slaves per estate (of those estates holding slaves) increased from 2.89 in the period 1674 to 1679 to 5.50 in 1695 to 1699. The average number of servants per estate (of those holding servants) decreased from 2.88 in the period 1674 to 1679 to 2.15 in 1695 to 1699. Fourth, those who invested 0 to 20 per cent of their total income in bond labor decreased, while those who invested 21 to 40 per cent of their total income in bond labor remained fairly constant. Those who invested 41 to 70 per cent of their total income in slaves and/or servants increased during the twenty-six year period. Fifth, there appeared to be a concentration of slaves in the hands of the wealthy. over the twenty-six year period, 17.6 per cent of the estates with bond labor held 52.2 per cent of the total number of slaves. Sixth, the average value of male slaves during the period was between L21 and L25; the average value of a female slave was Ll6 to L20 for the first several decades and L21 to L25 for the last decade. The average value for servants ranged from Ll to LlO, with the value increasing as the time of service increased.
Henry Theodore Tuckerman as Revealed in his Published Works
(1959) Ellsworth, Richard Grant; Beall, Otho T.; American Civilization; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)
Henry Theodore Tuckerman, as revealed in his published works, was, in many ways, a model of the mid-nineteenth century American. In his travel accounts, his historical and biographical scholarship, his social and political attitudes, his artistic and literary criteria, is revealed his sincere allegiance to the Romantic Idealism which dominated his day. This allegiance is shown in his belief in the fundamental goodness and inevitable progress of mankind; in his basic individualism, an almost transcendental egocentrism, which mystically identified the human soul with God, and interpreted self-reliance in terms of intuitional supranatural apprehension; in his dichotomization of his realities, separating the Ideal from the practical, the intuitive from the reasonable, the commonplace from the beautiful, the here and now from the distant and the past; in his acceptance of Nature as the representation of the Ideal, and of the feminine as the symbol of the Beautiful; in his fealty to emotion and sympathy as the mystical keys to all human relationships; in his strict and didactic morality; and in his professed national ism and proclamation of divine purpose and destiny in America . Yet, he was conservative in his personal refusal to become involved in reformism, in either outright abolitionism or feminism; in his determined and maintained attitude of Brahmin aloofness from "the herd" and "the multitude"; in his willingness to submit himself to governmental mandate, to support, at least nominally, what was legal and generally accepted; and in his overly-developed and almost unnatural reticence which prevented his from ever achieving that intense ego-exploration imperative within the Romantic philosophy. His published works reveal him to have been profoundly influenced by three major factors in his private live: his mother's death, his Italian residence, and his deep aversion for the commercial life. Possibly, in his need for social (and, especially, feminine) acceptability, his adoration of the ideal woman, and, perhaps, his easy acceptance of the sentimental and the emotional. His Italian travels and residence introduced him to the artistic experience and instilled in him a determination to devote his life to the Beautiful and to the encouragement of its creation and appreciation. And His aversion to the common precepts and standards demanded by American commercialistic enterprise influenced this decision, and shaped his life philosophy in its declaration of an over-stressed materiality in American life, and consequent under-development of the spiritual and the intellectual. With the exception of some of his better poems, Tuckerman's travel accounts best reveal his personal attitutdes and feelings toward his time and his world. As a scholar, Tuckerman read widely, but not deeply. His recorded perceptions almost always appear to be reflections of the parallel conclusions of his greater contemporaries. But he considered his theories his own, and, although he often documented a though or a conclusion, he never admitted to an intellectual debt or spiritual guidance. Tuckerman's greatest significance is in his constant effort to popularize the Beautiful, and thus to enrich American life. He sought always to broaden the public perceptions, to increase American aesthetic appreciation, to combat American reoccupation with commercialism. He was ever the propagandizer for good taste and cultural cultivation. His published works all evidence this. As a recorder of travels, he encouraged an appreciation for European cultural achievement. As a historian and biographer, he was narrative and moralistic. As a literary and art critic, he ever diligently encouraged the writer and the artist, and always sympathetically explained and interpreted to their audience. As a poet and author in his own right, although he often proved sympathetic with the sentimental demands of his age, he, nevertheless, in spite of such lapses, always strove to broaden the public outlook toward the Beautiful and the Cultural as he perceived them to be. That his audience appreciated his effort is readily apparent in his evident contemporary popularity. But his death and the end of his social influence, the broad standard and contemporary nature of his appeal , and the swiftly changing public interest, all combined to prove his fame ephemeral, and to banish him to a modern obscurity unworthy of his sincere intent and effort, and obvious contemporary accomplishment. Henry Theodore Tuckerman deserves to be remembered not only for his yet-standard biographical scholarship, and his service as a historian of art and artists in America, but also for his exemplary thought and attitude, the cultured reflections of the literary and artistic standards of mid-nineteenth century America.
Peruvian Feather-work: Development, Purposes, and Techniques
(1965) Roll, Virginia Helen; Wilbur, June C.; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)
The purpose of this study was to gain knowledge of Peruvian feather-work, its development, its purposes, and the techniques involved in the production of this material. Through research and through examination of seventy-seven pieces of feather-work at seven museums, theories propounded in research were verified. In addition, discoveries were made. An additional method of stringing the feathers was discovered. A brief history of the people shows that as they developed in agriculture, they had a parallel development in cultural accomplishments. It can be assumed that the agricultural development led to more time for cultural achievements. It has become known that their accomplishments in the area of textiles were outstanding. Among their textiles, feather-work was particularly unique.
British Influence in Mesopotemia 1900-1914
(1957) Amin, Abdul Amir; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)
Although several European powers showed early interest in the Persian Gulf and Mesopotamia, its natural land extension, Britain was more successful than her rivals in exploiting commercial and political possibilities in the area, and over a period of three centuries gradually emerged as the dominant foreign power there.
The Poe Amendment's Defeat: Maryland Voters Reject the Negro Disfrancisement Movement, 1903-1905
(1967) Goll, Eugene W.; Merrill, Horace S.; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)
The Poe amendment resulted from the increase of anti-Negro feeling in the very early 1900's and dominated Maryland politics from 1903 to 1905. Through this amendment, the Democratic party under Senator Arthur P. Gorman would have disfranchised Maryland's Negroes. The racist movements of the South and anti-Negro sentiments of a segment of the Baltimore press affected Democratic thinking. The Democrats scored an overwhelming victory in the 1903 state election and pushed the amendment through the 1904 meeting of the Legislature. The Legislature sent the measure to the people as a referendum in the November 1905 election. If passed, it would have placed much power in the hands of election officials. In 1904, however, resistance to the proposal emerged, first by Governor Edwin Warfield and later by other leading Democrats. In addition, the newspapers lessened their racist tone. The amendment threatened the Republican party; its members strongly fought it. They received help at this critical point from Secretary of the Navy, Charles J. Bonaparte, who led and solidified the party. In particular, the Bonaparte-led Republicans utilized the foreign community and apprehensive third parties. They also received negative help from the Baltimore Democratic organization under I. Freeman Rasin which gave the amendment little support. Further, the election eve saw a number of leading Democrats such as Senator Isidor Rayner squabbling publicly over the amendment. Thus, the voters did not trust Gorman and his organization, did not fear the threat of Negro domination, and thoroughly defeated the amendment throughout most of the state.
A Comparison of Irony in W.M. Thackeray and Thomas Mann (Until 1918)
(1950) Mohr, William; Foreign Study; Digital Repository at the University of Maryland; University of Maryland (College Park, MD)
In our comparison of the irony found in Mann and Thackeray we will first discuss irony in its more concrete aspects, ironic content and then ironic form. Further, and particularly in connection with Mann, we will speak about the nature and position of the artist. This topic is actually another aspect of ironic content, but it is such an important problem in Mann's early works that it deserves special consideration. And finally, we will return to Mann's metaphysical irony.
The Muse Dons Khaki: American Songs and Music of World War I
(1963) Kelly, Jacquelin Joan; Prange, Gordon W.; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)
During the years 1917 and 1918 the United States participated in a "war to end all wars." During the conflict the government deliberately enlisted the power of song both at home and on the fighting front to help in the great task of winning the war. The idea of organized singing in the training of the U. S. Army was comparatively new at the time America entered World War I, but it soon came to be recognized as an integral part of the training itself. The government encouraged singing in the army both on marches and in leisure-time groups because it contributed substantially to the enjoyment, contentment and efficiency of the soldier. The ballads, however, that eased tired muscles after a long days march and boosted morale after a day of heavy fighting were not government sponsored songs, but parodies and GI folk songs that the Sammies themselves composed. These ditties gave glimpses of the real army, the friendly rivalry between the various branches and the traditional humor of the service. Such songs, though lusty and bawdy, preserved for posterity the spirit of the A.E.F. Then, too, songs and music proved to be of great value to the "stay-at-homes" during World War I. Our "army of the interior" responded readily to the stimulus of music. It participated in "Liberty Sings," "Bond Singing," and "Four-minute Singing" in the nation's theaters. The civilian community wanted to sing popular patriotic songs because it then felt a closer relationship to loved ones who were in service. In addition, song fests satisfied man's natural craving for security and inspiration. During the American period of the war, Tin Pan Alley rushed to the fore and supplied the country with no less than nine thousand songs from 1917 to 1919. Such ditties buoyed up sunken spirits, boosted morale, and made for a united force on the home front. Songs are usually a yardstick of the times and give us a clue as to what the entire populace is thinking or how it feels about certain issues. The songs and music of our country from 1914 to 1919 reflected not only the history but moods, manners and impulses that constituted the American way of life. In 1914 and 1915 our songs exhibited a staunch pacifism and a fervent desire to remain aloof from the political entanglements in Europe. However, in 1916, 1917 and 1918 the pacifism which had been exhibited earlier in our songs gave way to a surging pride and a firm determination to win the war. Then in 1919 our songs reflected the relief and happiness that came when the task of war was over. Music during World War I was not a luxury or a gift but a necessity. Songs were indispensable to our armed forces, but they were also a necessity for those who had to remain behind, to hope, to pray and to wait.

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