Theses and Dissertations from UMD
Permanent URI for this communityhttp://hdl.handle.net/1903/2
New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a give thesis/dissertation in DRUM
More information is available at Theses and Dissertations at University of Maryland Libraries.
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Item THE PROM: AN EXPLORATION OF THE MUSICAL THEATRE DESIGN PROCESS(2024) Henrriquez, Christian Douglas; Chandrashaker, Amith; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This thesis outlines the lighting design process for The Prom, performed at the University of Maryland’s School of Theatre, Dance, and Performance Studies in September 2023. It outlines the process from initial thoughts, collaborating with the creative team, budgeting, creating technical paperwork, cueing, and technical rehearsals, culminating with the opening night. The paper contains documents and images detailing the process with an evaluation and reflection.Item Men on Boats: A Lighting Design(2024) Laverty, Christina Kouni; Chandrashaker, Amith; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This thesis provides written and visual documentation of the lighting design process for Jaclyn Backhaus’ play Men on Boats, produced by the University of Maryland, College Park’s School of Theatre, Dance, and Performance Studies. The production opened on March 1, 2024, and had six performances. This paper details dramaturgical analysis, research, the design process, technical documents, performance photographs, and reflections.Item ILLUMINATING PUBLIC SPACES THROUGH ARTFUL LIGHTING DESIGN: A RESPONSE TO THE PROPOSED ELEVATED SEAWALL ON STATEN ISLAND(2023) Shteinberg, Debra; Sullivan, Jack; Plant Science and Landscape Architecture (PSLA); Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This thesis explores the ways in which lighting can be used to create a memorable nocturnal experience that engages users and strengthens connections to their landscapes. Far more than functional, lighting is an art form that can be used to transform the very way we understand and experience our public spaces. Through the lens of lighting design, a redesign of the FDR Beach and Boardwalk is proposed in response to the building of the East Shore Seawall, a large-scale infrastructure project that will threaten the community’s ability to engage with this vital open space. Lighting is used to create spaces that allow for entertainment, education, and reflection, which will activate the site, providing legibility, enhance the nighttime experience, and create a sense of identity.Item MACHINAL: LIGHTING DESIGN AND RESEARCH IN THE DIGITAL PERFORMANCE ERA(2021) Hughes, Jacob A.; Cissna, Andrew R; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The purpose of this thesis is to provide research, supporting paperwork, andproduction photographs that document the lighting design process for the University of Maryland - College Park, School of Theatre, Dance, and Performance Studies' production of Machinal written by Sophia Treadwell and its transition from the original stage design to its virtual production. This thesis contains the following: research images collected to develop and visually communicate ideas about color, texture, intensity, form, composition, and mood to the production team; preliminary and final organization of desired equipment to execute the lighting design, and drafting plates and additional paperwork used to communicate the organization and placement of lighting equipment to the master electrician. Archival production photographs and photographs of various spaces used by performers are included as documentation of the completed design.Item The Visit: A Lighting Design(2020) Gallup, Lauren Nicoline; MacDevitt, Brian; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The purpose of this thesis is to provide research, supporting paperwork, production photos, and other materials to document the lighting design for The School of Theatre, Dance, and Performance Studies at The University of Maryland – College Park production of The Visit. This thesis contains the following: research images collected to develop and visually communicate ideas about color, texture, intensity, form, composition, and mood to the production team; preliminary and final organization of desired equipment to execute the lighting design; a full set of drafting plates and supplementary paperwork used to communicate the organization and placement of lighting equipment to the master electrician; and magic sheets and cue lists used as organizational tools for the lighting designer during the tech process. Archival production photographs are included as documentation of the completed design.Item A VISUAL CONSISTENCY: Lighting Design of Zaubernacht & Mahagonny Songspiel in a discussion of Style and Aesthetics(2019) Brusberg, Christopher Todd; Kachman, Misha; MacDevitt, Brian; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The purpose of this thesis is to discuss the use of the lighting design and process for Maryland Opera Studio’s double bill of Zaubernacht and Mahagonny Songspiel to better define Style and Aesthetics as they relate to a designer's Visual Identity. This thesis contains the following: concept, research images collected to visually communicate design ideas to the production team; notes on the discussion and evolution of the style and design concept; technical drawings used to translate the designer's intent into a real-world execution of the design, and production photos of the double bill. These production elements will then be used in conjunction with scholarly research to engage in a conversation about a designer’s visual identity.Item An Antigone of Dying Sunsets and Buried Flames: Offering Voice Through Light(2018) Martin, Brandi Danielle; MacDevitt, Brian; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The purpose of this thesis is to provide research, supporting paperwork, and production photographs that document the lighting design for the University of Maryland - College Park, School of Theatre, Dance, and Performance Studies’ production of Antigone by Sophocles, translated by Brendan Kennelly. This thesis contains the following: research images collected to develop and visually communicate ideas about color, texture, intensity, form, composition, and mood to the production team; preliminary and final organization of desired equipment to execute the lighting design; a full set of drafting plates and supplementary paperwork used to communicate the organization and placement of lighting equipment to the master electrician; and magic sheets and cue lists used as organizational tools for the lighting designer during the tech process. Archival production photographs are included as documentation of the completed design.Item The Wild Party: A Lighting Design(2017) Siler, Robert Gilmer; MacDevitt, Brian; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The purpose of this thesis is to provide research, supporting paperwork, and production photographs that document the lighting design for the University of Maryland - College Park, School of Theatre, Dance, and Performance Studies’ production of The Wild Party; book, lyrics, and music by Andrew Lippa. This thesis contains the following: research images collected to develop and visually communicate ideas about color, texture, intensity, form, composition, and mood to the production team; preliminary and final organization of desired equipment to execute the lighting design; a full set of drafting plates and supplementary paperwork used to communicate to the master electrician; and magic sheets and cue lists used as organizational tools for the lighting designer during the tech process. Archival production photographs are included as documentation of the completed design.Item Spring Awakening: A Lighting Design(2014) Denton, Robert Scott; MacDevitt, Brian; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The purpose of this thesis is to provide research, supporting paperwork and production photographs that document the lighting design for the University ofMaryland - College Park, School of Theatre, Dance, and Performance Studies' production of Spring Awakening; Music by Duncan Sheik, Book and Lyrics by Steven Sater. This thesis contains the following: research images collected to develop and visually communicate ideas about color, texture, intensity, form, composition and mood to the production team; preliminary and final organization of desired equipment to execute the lighting design; a full set of drafting plates and supplementary paperwork used to communicate the organization and placement of lighting equipment to the master electrician; and magic sheets and cue lists used as organizational tools for the lighting designer during the tech process. Archival production photographs are included as documentation of the completed design.Item THE WAITING ROOM: A LIGHTING DESIGN THE ROBERT & ARLENE KOGOD THEATRE UNIVERSITY OF MARYLAND - COLLEGE PARK(2014) Chan, Wai Chan; MacDevitt, Brian; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The purpose of this thesis is to provide research, supporting paperwork, documentation of the process and results of the lighting design for the University of Maryland - College Park, School of Theatre, Dance, and Performance Studies production of The Waiting Room. This thesis contains the following: research images collected to develop and visually communicate ideas about color, intensity, form, composition and mood to the production team; storyboard with research images and description to depict the arc of lighting design; preliminary and final organization of desired equipment to execute the lighting design; a full set of drafting plates and supplementary paperwork used to communicate the organization and placement of lighting equipment to the master electrician; magic sheets and cue list used as organizational tools for the lighting designer during the tech process. Archival production photographs are included as documentation of the completed design.