English Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/2766
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Item Employment Writing in Group Outplacement Training Programs(2017) Brearey, Oliver James; Wible, Scott A; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation provides an empirical account of rhetorical and writing practices in outplacement, which comprises a collection of for-profit and governmental organizations that offer consulting and counseling services to aid displaced professional workers—who are usually highly experienced in their fields—in finding new employment. Outplacement organizations offer training and support in job application letter, résumé, and networking script writing; capabilities assessment; job-finding strategies; networking and interview preparation; and ongoing opportunities for out-of-work people to provide each other with mutual support. Neither job-placement agencies nor recruiters, outplacement training programs are sites of teaching and learning that prepare experienced professionals to find new employment independently. In outplacement, out-of-work people learn to apply their professional capabilities to the task of finding new employment. Through participant observation in group outplacement training programs, interviews with outplacement practitioners and participants, and analyses of published outplacement training manuals and other textual artifacts produced by outplacement organizations, I discern three distinct ways in which outplacement consultants, the providers of the service, help outplacement candidates, the service’s recipients, to engage in rhetorical and writing-based job-finding practices. First, as they compose in practical job-finding genres by writing résumés, job application letters, and networking scripts, outplacement candidates learn to both identify their professional capabilities and connect them to new workplace opportunities. Second, as they compose in reflective genres, including those of life writing, outplacement candidates learn to negotiate tensions between their personal goals and the contemporary realities of professional employment. Third, as they learn job-search strategies that include tasks such as composing audio-visual job-finding texts and participating in both traditional and distance-mediated, multimodal employment interviews, outplacement candidates become familiar with technological innovations in personnel recruitment and learn how to adapt, throughout their careers, to the continually changing contexts of professional hiring practices. My dissertation makes a unique contribution to rhetoric and writing studies by focusing on the rhetorical and writing work that out-of-work people do at key moments of transition in their professional lives as they move from workforce displacement, through unemployment and outplacement, and toward reemployment.Item Beyond Words: A Post-Process Business Writing Pedagogy(2016) Lloyd, Adam M.; Wible, Scott A; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The goals of this dissertation are twofold: to identify shortcomings in contemporary business writing pedagogies that result in students being insufficiently prepared for the writing challenges of their post-college careers and, to develop an alternative pedagogy that addresses these problems. To achieve these ends I review the recent history of business writing pedagogy, examine 105 business communication syllabi from U.S. colleges, and perform a close textual analysis of the five textbooks most commonly used in these courses. I then perform a communication audit of the American Cancer Society Cancer Action Network as an exemplar of how communication functions in a workplace setting. Armed with this data I assert that contemporary pedagogical models do not adequately account for the atomistic complexity and fluidity of actual workplace discourse: the historical and organizational factors that affect every discursive interaction, the personal preferences and individual relationships that determine success with each new dialogic engagement, the very nature of communication as uncodifiable and paralogical, or the generative, living genres that allow these activity systems to function. “Beyond Words” presents a new pedagogy that accomplishes several objectives: first, it accounts for the weaknesses of current business writing pedagogies. Second, it addresses the challenges of contemporary workplace communication, in which writing expectations are constantly evolving and progressively intricate. Third, it incorporates the principles of post-process theory—that writing is public, interpretive, and situated—and draws on aspects of activity theory and ethnographic analysis that remain consistent with a post-process framework but add depth to the holistic conception of discourse practices. Fourth, rather than trying to teach students how to write—which post-process theory argues is impossible—it focuses on helping students to “read” the situated contexts of what are commonly considered discourse communities as evidence of prior communicative theories so as to better triangulate the passing hermeneutic strategies of each of their interlocutors. Most importantly, this pedagogy prepares students for the increasingly complex, unstable, diverse writing conditions of the contemporary workplace and empowers them to better analyze and adapt to whatever communications challenges they face throughout their professional careers.Item Electracy in Praxis: Pedagogical Relays for an Undergraduate Writing Curriculum(2016) Geary, Thomas Michael; Logan, Shirley W.; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The paradigm shift from traditional print literacy to the postmodern fragmentation, nonlinearity, and multimodality of writing for the Internet is realized in Gregory L. Ulmer’s electracy theory. Ulmer’s open invitation to continually invent the theory has resulted in the proliferation of relays, or weak models, by electracy advocates for understanding and applying the theory. Most relays, however, remain theoretical rather than practical for the writing classroom, and electracy instruction remains rare, potentially hindering the theory’s development. In this dissertation, I address the gap in electracy praxis by adapting, developing, and remixing relays for a functional electracy curriculum with first-year writing students in the Virginia Community College System as the target audience. I review existing electracy relays, pedagogical applications, and assessment practices – Ulmer’s and those of electracy advocates – before introducing my own relays, which take the form of modules. My proposed relay modules are designed for adaptability with the goals of introducing digital natives to the logic of new media and guiding instructors to possible implementations of electracy. Each module contains a justification, core competencies and learning outcomes, optional readings, an assignment with supplemental exercises, and assessment criteria. My Playlist, Transduction, and (Sim)ulation relays follow sound backward curricular design principles and emphasize core hallmarks of electracy as juxtaposed alongside literacy. This dissertation encourages the instruction of new media in Ulmer’s postmodern apparatus in which student invention via the articulation of fragments from various semiotic modes stems from and results in new methodologies for and understandings of digital communication.Item Common Ground(2015) Allen, Amanda Marie; Plumly, Stanley; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This collection explores the different ways silence acts as a form of communication, recognizing both the power and failure of the unspoken. At once critical and empathetic, the speaker of these poems finds connection between the self and a self-destructive father whose influence carries into future relationships. The poems navigate moments of anger, forgiveness and guilt, ultimately allowing each to happen simultaneously.