English Theses and Dissertations

Permanent URI for this collectionhttp://hdl.handle.net/1903/2766

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    All That Hunger, All That Thirst
    (2024) Singh, Subraj; Brandchaft Mitchell, Emily; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    These stories are set in Guyana, and feature characters who demonstrate how the offshoots of colonialism continue to be expressed within the minds and bodies of formerly colonized peoples. Because of this, violence, avarice, addiction, oppression, and death occupy large roles within these stories, emerging out of character motivations, and emphasizing traumas experienced by both the individual and the collective. Through the use of realism and fabulism, Standard English and Guyanese Creole, as well as various storytelling structures and techniques, the narratives in this manuscript seek to highlight the sprawling and insidious nature of colonialism, and to bring attention to the harmful legacies that have been installed in its place.
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    The Other Life
    (2024) Cronan, Anna Patrycja; Casey, Maud; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    The Other Life is a collection of short stories about identity in between two cultures, Polish and American, and the gifts, pressures, mysteries, celebrations, and challenges that sprout from this experience. Showcased through interconnected stories centering food, language, the natural world, and a child’s perspective, this collection depicts a first-generation Polish-American’s exploration of identity. Three children visit their grandmother’s orchard, where mysterious events unfold that make them realize their grandmother may be a baba yaga. Two Eastern European girls find solace in one another in America, until they don’t. A young woman and her grandmother embark on a foray in search of mushrooms. A village in Poland recounts its complicated history with salt mining. Throughout these stories, the yearning and longing for a life that could have been is explored as a way to make sense of the life that is.
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    How to Leave Your Life Behind: Stories
    (2024) Daschle, Edward Sebastian; Mitchell, Emily; Creative Writing; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    The stories in this collection, How to Leave Your Life Behind: Stories, feature characters seeking purpose and authenticity as they navigate queer worlds and queer identities. In the titular story, you learn how to disappear into a new life through the process of jumping off a building, a magical escape from a dull life that creates complications for international and personal relations. In “Thistle Land,” an old woman seeks to return to the portal fantasy world she explored in her childhood while navigating the emotional baggage of her mother and daughter who respectively saw her and see her as failing their high intellectual standards. And in “Who I Am Dead,” a dead boy making an existence for himself in the afterlife seeks to discover who he was when he was alive, and what knowledge of this past life might offer him, if anything. These stories alongside three others match purpose with aimlessness, authenticity with conflicting identities, and fantasy with reality. Throughout the collection, there is trauma and pain, but always with the acknowledgement that what they are experiencing is not all there was, is, or will be.
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    Mirror Made of Quartz
    (2024) Drummond, Kassiah Ania; Bertram, Lillian-Yvonne; Weiner, Joshua; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    "Mirror Made of Quartz" is a poetic exploration about community divided into four sections that reclaim the displaced emotion of rage with empathy. In the first section "Naming a Better Word for Love", the collection bargains the complexities of expressing love amidst trust and compromise. The next section "(Womb)an", explores how the gift of a name to a daughter, echoes the title of motherhood itself as both are becoming their new roles for the first time. The womb carries legacy, tradition, and trauma. The third section "I Think About Being Black a Lot", dedicates itself to exploring the aspects of the color as an identity, by delving into various culturally impactful folklores, redemption for the unsolved history, and new perspectives to the misunderstood. Finally, the title section, "Mirror Made of Quartz," serves as a supportive reflection of myself by commentating on my name, body, and the person I hope to become with tangible optimism.
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    The 25th Year
    (2023) Bronson Boddie, Sebastian; Weiner, Joshua; Creative Writing; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    THE 25TH YEAR is a collection that seeks to understand what it means to bear witness. Cataloging their environment is how the speaker reconciles their fraught reality, making sense of the disorder of living. This disorder is reflected in the form of the work, as most of the poems are in free verse, with occasional variation. The poems in this collection explore themes of memory, community, and ordinary human kindness – and meditate on how powerful the practice of witness can be. In the tradition of Baldwin, Baudelaire, and the flâneur, the speaker observes what can often be missed, in order to connect to their community and themselves.
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    Confessions
    (2023) Hansen, Katherine Robbie; Mitchell, Emily; Creative Writing; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    This is a collection of magical women doing bad things. There are six stories narrated by six women. These women are: Louise, a woman cursed with the knowledge of when her husband will leave her; Joy and Amity, two young sisters struggling with their roles in their uncle’s small-town drug business; Lisi, a new mother who has been separated from her body; Flossie, a woman whose jealousy manifests itself in the mysterious and supernatural deaths of those around her; Clara, a conservatory musician confronted with the sudden disappearance of her girlfriend; and Ruth, a lost daughter who finds everything she wants in a magic powder which returns the skin to youth. Their tales are strange and otherworldly, occurring in planes beyond comprehension and control. The women narrate; their words always are their own.
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    A FRIEND COMES TO VISIT: STORIES
    (2023) Collins, Meghan Ann; Mitchell, Emily; Creative Writing; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    From a pathologically shy student who ghosts her classes in Paris, to a directionless college graduate who cheats on her girlfriend with a much-older coworker, and another who, in lieu of leaving a bad relationship, decides to move to an apocalypse-proof bunker under the ocean, the characters in these stories are unified by their shared traits of curiosity, confusion, embarrassment, existential dread, and by the magnetic pull of self-sabotage. They are painfully ambivalent, sometimes throwing themselves with reckless abandon toward the object of their longing, the next seeking the destruction of all avenues of possible connection. These stories evoke the constant and repetitive search for meaning, identity, and belonging that characterizes young adulthood. Beneath the angst and self-doubt that rules each character’s mind, there is also a young person’s stubborn belief in revelation: the hunch that enlightenment could come at any moment, and that, when it does, this will all somehow finally make sense.
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    The Best of the Wreck
    (2023) Smith, Cecilia; Weiner, Joshua; Creative Writing; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    The poems in this collection explore the cyclical nature of relationships, family history, and natural phenomena, as well as the extent to which these cycles shape the trajectory of one’s life. Surrealism becomes a means of control, as it allows the speakers of these poems to transform their surroundings through imaginative perception. This childlike imagination is juxtaposed with disillusionment, coming-of-age, and the failures of intimate relationships. Written in a range of forms and meters, including fable-like rhymes and gnomic stanzas, these poems investigate our instincts for physical pleasure while questioning what we think and why we think it.
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    Guardrail
    (2022) Galvez, Madeline Yahaira; Arnold, Elizabeth; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    Guardrail is a collection of poems that aim to explore the mental landscape of a person who has lost their God and yearns for the divine amidst their gradual development of a mental disorder. Told in a single section, we journey through the speaker’s tenderness, obsessions, and small sorrows both present and past. The collection takes love, intergenerational trauma, and loss as its central themes, and though we are introduced to various relationships throughout, return continuously to the central bond between that of mother and daughter. These poems hope to capture moments, both fleeting and monumental, on the journey back to self, back to God, back to love.
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    Somerville Stories
    (2022) Marsden, McKenna; Fuentes, Gabrielle L; Creative Writing; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    "Somerville Stories" is a collection of six short stories set in Cambridge and Somerville, Massachusetts. They revolve around themes of work and the communities that form through it, relationships and their dissolution, and how the routine and mundane shape life. Their protagonists come from a variety of backgrounds and walks of life, but share a common experience of young-ish adulthood under late capitalism.