UMD Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/3
New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a given thesis/dissertation in DRUM.
More information is available at Theses and Dissertations at University of Maryland Libraries.
Browse
3 results
Search Results
Item "Passion is Catching": Emotional Contagion and Affective Action in Select Works by Shakespeare(2011) Wheelock, Angelique Marie; Cartwright, Kent; Mack, Maynard; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Growing out of recent scholarship on humoral theory and emotions in early modern literary texts, this dissertation explores the idea that Shakespearean emotions are contagious. Tears, rage, compassion, fear, affection, horror, and laughter travel invisible pathways from character to character in his texts, reinforcing an implicit scheme of emotional transmission harkening back to Plato and Aristotle. Whether generated internally or imposed from the outside, these passions have the ability to wreak havoc on individuals, communities, and even countries, because passions can, and often do, lead to action. This work examines three of Shakespeare's tragic works, the poem Rape of Lucrece and two plays: Othello and Julius Caesar. In the chapter on Rape of Lucrece, beauty is the root of the violent, contagious action driving the tale. Tarquin himself is ravished by Lucrece's beauty. Overwhelmed by a “rage of lust,” the prince must exorcise his excess humors through rape to regain equilibrium. Lucrece is infected with his “load of lust” during the rape and then kills herself, passing on Tarquin's beauty–inspired violence to Collatine and the nobles in a mutated form—the lust for vengeance. Through her act of self–violence, Lucrece transforms the original contagion into a force which purges Rome of the Tarquins' rule. For Julius Caesar, I trace Shakespeare's descriptions of environmental events in Julian Rome and how these correspond to the emotional complexion of the agents in the play. I identify fear as the main emotional vector in this play and illustrate how the imagination takes on a crucial role in the misregulation of the humors, a situation that, in turn, creates the ideal environment for violent action. The chapter dedicated to Othello examines the false transmission of emotion perpetrated by Iago to destroy Othello. Iago develops false emotional paradigms, reframing his hatred for the general with trappings of love; successfully communicating the degree of his passion without the content, Iago is able to fool Othello into believing Desdemona is false. Despite his demand for “ocular proof,” the Moor becomes overwhelmed by the force of Iago's emotions and becomes an instrument of “honest” Iago's virulent hate.Item Haunting Images: Differential Perception and Emotional Response to the Archetypes of News Photography: A Study of Visual Reception Factored by Gender and Expertise(2011) Emmett, Arielle Susan; Brown, John H; Beasley, Maurine; Journalism; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation explores how and why certain news photographs become memorable. Although researchers believe news photos count as forms of media expression, no one knows how influential these images really are in shaping societal attitudes. Social constructionist critics have argued that iconic images are pervasive markers of American collective memory. While icons have become the subject of intense media study, critics have ignored the presence of image archetypes that fall outside of the boundaries of the American iconic canon. They have also followed a top-down procedure of interpretation rather than a bottom-up method of collecting data from actual subjects. As I define it, the news image archetype is an authentically captured image of a human predicament of the greatest magnitude and seriousness showing conflict, tragedy, and occasionally, triumph. Visually these images communicate through physical gestures and facial expressions either directly, when faces are visible, or by implication in panoramic shots. Archetypal images can be iconic but need not be. Whereas icons are presumed to appeal to "everybody" by modeling ideology and "civic performance," archetypes need not exhibit any particular ideology. The common thread is more universally human than political. For this reason their appeal tends to be trans-cultural. This mixed-method study tests audience response to 41 outstanding news photographs including iconic, archetypal and ordinary examples. The purpose is to ascertain whether archetypal images can be distinguished and recalled as outstanding exemplars outside the iconic category; whether image quality preferences vary by visual expertise and gender; and how study subjects "read" the archetype. Using 2X2 ANOVA design, I studied four independent groups: male/female, visual expert/visual non-expert; n = 113. Study data indicate a convergence of ranking preference for some non-iconic archetypes that were rated as highly as famous icons. However, the strongest results show a convergence as to which image qualities (e.g., aesthetics, newsworthiness, emotional arousal etc.) were most important to viewers. The study found statistically significant differences of judgment on image qualities factored by gender and expertise. Qualitative results provided rich insights on factors affecting viewer response while composite data suggest multiple lines of future research.Item Narrating Tragedy: From Kennedy to Katrina, From Sports to National Identities(2007-11-26) Gavin, Michael; Struna, Nancy L.; American Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)On September 11, 2001, Major League Baseball commissioner Allan 'Bud' Selig postponed the baseball season to offer proper respect to that day's terror victims. On September 16, 2001, when the major league season resumed, sports columnists across the nation-state referred to the New York Yankees as 'America's team.' When the Yankees made their run to the World Series, many columnists argued they 'healed the wounds of the nation.' Likewise, as water settled in the French Quarter after Hurricane Katrina, columnists suggested the New Orleans Saints were 'capable of healing the nation' and referred to them as 'America's team.' When the Saints returned to the Superdome in 2006, many columnists suggested the region and nation were both healed. This dissertation uses discourse analysis to reveal the constructions of and contestations for dominant versions of national identity and memory in which sports columnists engaged in the context of tragedies like the John F. Kennedy assassination, 9/11, and Hurricane Katrina. In examining sports columnists' work over five decades, I offer a historical overview of sports columns and their relationship to dominant discourses of race and national identity. In the process, I contend that the voices comprising mainstream sports columnists through the 1960s generally constructed a mythological national identity that privileged whiteness. By the late 1990s, however, the voices comprising mainstream sports columnists included both those who constructed and confronted white hegemony. Interestingly, some of those columnists supporting whiteness were minorities; and some of those confronting whiteness were themselves white. Hence, I argue that whiteness is a standpoint, not a condition of skin color. Likewise, I contend that mainstream sports columnists confronting whiteness work within a system often identified as producing hegemony in order to dismantle it, and potentially exert a great amount of cultural power.