UMD Theses and Dissertations
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Item DOMESTIC AND INTERNATIONAL POLITICAL LOGIC OF CHINESE AND RUSSIAN HISTORICAL MYTHMAKING OF WWII(2024) Gao, Kainan; Pearson, Margaret; Kastner, Scott; Government and Politics; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Both President Xi Jinping and President Vladimir Putin are waging wars on “historical nihilism” to eradicate rival interpretations of important historical events to enhance regime survival and to advance geopolitical ambitions. In contrast to the political significance and the far-reaching policy implications of historical issues in China and Russia, the politics of historical mythmaking is a disproportionately undertheorized and understudied area in political science. My dissertation addresses this gap by unpacking the political logic of Chinese and Russian official historical mythmaking. What the Chinese and Russian states gain from manipulating historical discourse? Under what conditions do the Chinese and Russian states intensify their historical mythmaking? What are the implications of their historical mythmaking, both in domestic politics and in international relations? These are the questions I seek to answer in this dissertation. I argue that perceived Chinese and Russian past righteousness offers powerful normative justifications for the paternalistic states and for the geopolitical ambitions of both nations. Through in-depth case studies using congruence analysis approach, this dissertation shows that Chinese and Russian states are more confident in exploiting the nation-building utilities of historical narratives when their rivals with strong claims over the past righteousness become weakened; meanwhile, Chinese and Russian perception of western deviation from orthodox interpretation of Yalta-Potsdam framework constitutes the essence of Chinese and Russian dissatisfactions towards the West in post-Cold War period; lastly, Chinese and Russian states’ mythmaking of WWII experiences, as a pushback against perceived “historical nihilism”, become intensified when they expect weakening future bargaining leverage. For practical implications, based on the insights from this dissertation I contend that lasting peace is not attainable without achieving historical synthesis among the world’s major great powers. Both Chinese and Russian obsession with historical truth and western ahistoricism are detrimental to a truly just international order.Item HOW THE PICTURE PRESS MADE AMERICA: NEWS PHOTOGRAPHY AND THE POLITICS OF REPRESENTATION(2023) Yotova, Denitsa H; Moeller, Susan D.; Journalism; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation looks at the related ways in which two pioneering news photographicagencies depicted the American self and presented an “understanding” of America’s nationhood. First, this dissertation investigates Bain News Service between 1900 and 1920 and the concurrent industrialization and technological achievements that changed the nature of photography and mass communication. It considers Bain’s agency as an influential national institution and gatekeeper of visual information that, along with newspaper publishers, determined the flow of photographic representation both at home and abroad. Second, this dissertation examines in parallel terms the VII agency from its inception in 2001 to 2020––a period defined by globalization, digitalization, and media convergence. VII, as a decentralized global entity, competed with a multitude of producers and consumers to influence the social discourse. The findings of this dissertation illuminate the power, and recent loss thereof, of news photographs to make visible and to promote specific social discourses within the functions of news photo agencies. In investigating Bain News Service, the first commercial news photo service in the United States founded in 1895, and the VII Photo agency, one of the preeminent photo agencies in the digital era founded in 2001, the dissertation considers how changes in the news business and photographic technologies altered representational practices and the sharing of visual information globally. This dissertation traces the rapidly evolving economic and technological environment across the century — two trends which together have not only contributed to the diminishing authority of the news photographic agency as an institution, but have weakened news photography’s role in promoting and sustaining a national identity and a nation’s reputation. Centralized national news photographic agencies of the early twentieth century, such as Bain News Service, dominated visual representations in the press. The Bain agency provided images of the United States that promoted the sovereign national status quo and disseminated images of the nation aligned with the ideology of the country’s political elite. One hundred years later, photo agencies including VII, operate in a globally-oriented, citizen-driven public sphere. The photographs disseminated by VII serve to challenge the American national status quo; they were (and still are) taken and often published in the hopes that the images will (help) bring social change. Guided by Stuart Hall’s concept of the politics of representation, this dissertation traces the evolution of the news photo agency, as a journalistic institution, while specifically examining news images along with ideologies embedded in them. The dissertation also considers the news photo agency as an Althusserian Ideological State Apparatus (ISA)–– a system separate from the government, but indirectly involved in the expression of dominant ideologies and the promotion of a particular social discourse. To assess the significance of the news photo agency as an institution, and the ways in which it represented “Americanness,” this dissertation uses several approaches, including discourse and historiographical analyses and a photo-thematic analysis of the archives of Bain News Service and VII Photo. In analyzing the construction of American social discourse, the following questions guided the research: How do news photographs and the news photo agencies as journalistic institutions help represent/promote social discourses? How have Bain News Service and VII represented “Americanness” in their news photographs? How are ideas and ideologies of nationalism, exceptionalism, and the American Dream visualized in these photographs? How does the representation of nationalism, exceptionalism, and the American Dream differ in twentieth-century images produced by Bain compared to the twenty-first-century images produced by VII? Through thematic and visual examinations of news photographs of the American nation, as produced by Bain News Service and VII Photo respectively, this dissertation also looks at representations of American exceptionalism, nationalism, and the American Dream over time to determine the visual dialogue within the United States and between the American nation and the rest of the world. This investigation finds photographic representations of America’s greatness took an important place in the news and for the news photo agencies of the early 1900s, creating a highly specific understanding of the American nation as a rising global power. The centralization of image production under the news photo agencies of the twentieth century also determined a specific meaning of nationalism, exceptionalism, and the American Dream in line with the nation’s leadership. With the advent of newer technologies in the twenty-first century, the public also began to take on an active role in the producing and distributing of representations of the American individual and nation, resulting in the waning authority of the news photo agency. The decentralization of image production that resulted from forces such as convergence, digitalization, globalization, and citizen (photo)journalism in the twenty-first century has, in turn, complicated and visually re-defined the meaning of nationalism, exceptionalism, and the American Dream. Moreover, news photographic representations of social inequalities, environmental issues, and political divisions that proliferate across the Internet and social media in the twenty-first century have altered the visual portrait of America’s reputation and the ways global audiences “see” the United States. The examination of the business, structure, and news photographs produced by the two innovative news photo agencies set a century apart illuminates the significance of the news photo agency at large. The investigations outlined in the chapters ahead clarify how photojournalistic institutions have shaped public knowledge about a nation and its ideological values.Item Drink, Dance, and Devotion: The Role of Restoration Popular Music in Creating a Protestant English National Identity(2021) Massey, Elizabeth D; Warfield, Patrick; King, Richard; Music; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)In Restoration England (1660–1707), religious disputes between Protestants and Catholics dominated not only politics but everyday life and mapped onto the long-simmering conflicts between England and France. Popular music both referenced these seemingly constant tensions and also participated in reifying the antagonistic, xenophobic relationship between the two religions and regions. Drawing upon theories of musical topic, intertextuality, semiotics, and nationalism, this dissertation presents three case studies of how Restoration popular music helped to create a Protestant English national identity. The folia, a ground bass and one of the most popular foundations for musical structure in the history of Western art music, became disassociated from its original genre and, through texts and performance practices, became a set of fixed melodies that indexed and embodied a community among those in Restoration England. Building on this idea, a second case study expands the musical content from melody to genre by focusing on the cibell dance and how it functioned to produce a sense of historical continuity in England, eventually becoming an invented tradition. In a final case study, the musical focus is expanded yet again to consider both the metrical psalm and ballad genres. The musical and thematic relationship between the proper tune for Psalm 124 and the ballad tune “Fortune My Foe” speaks to how popular music moved across boundaries of venue and genre, and in doing so, helped to make commonplace the idea of the Protestant Self—defined against the Catholic Other—as the standard for belonging in and to England.Item THE ARTĚL COOPERATIVE (1908-1934): CRAFTING CZECH MODERNITY(2020) Bratton, Lyndsay; Mansbach, Steven A; Art History and Archaeology; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Eight founding members of Artěl—the Prague avant-garde’s response to the Wiener Werkstätte—united in 1908 with a manifesto proclaiming their goals to combat inferior factory substitutes for handcrafted designs and to restore society with a sense of taste through affordable products for everyday life. Across Artěl’s stylistic, political, and ideological development, its members consistently demonstrated the complementary relationship between the folk and the modern. Whether working in the Czech variant of Cubism in the final years of the Habsburg Dual Monarchy, the folk-infused nationalist “decorativism” of the First Czechoslovak Republic after 1918, or the sober Functionalism of the late 1920s, Artěl designers struck an aesthetic balance between regional Czech folk arts and international avant-garde styles. The group thereby served to construct and promote a distinctively Czech visual culture for the international stage at a transformative moment in Czech history.Item The International Political Economy of Fascism(2018) Wasser, Matthias; Korzeniewicz, Patricio; Sociology; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation focuses on the intersection between security, governance, and the international economic system in the interwar period - constructing an analytic narrative to explain why so many states adopted the policy prescriptions of the radical right, which states did so, and what form these prescriptions took. While many new authoritarian states were established in the 1920s - and Fascist Italy was not the only one where radical right activists played a major role in regime consolidation - the ends pursued by these states were largely traditional. In the wake of the Great Depression, however, the difficulties in simultaneously attaining full employment, freedom of labor, and profitability forced capitalist states to adopt active macroeconomic policies - and, in turn, either move left, assigning labor a significant role in governance, or right, repressing organized labor. The fascist and “para-fascist” regimes which would be established in the 1930s would represent a renegotiation - whether brokered from within democratic or extra-democratic politics - between these conservative elites and fascist activists. Although the balance between the two would differ from place to place - from especially strong movement activists in Germany to especially strong traditional elites in Japan or Balkan royal dictatorships - all of these new compacts represented a willingness of the conservative elites to turn their back on economic and geopolitical liberalism forever. Which path elites chose to take, I argue, depended upon their positionality in the world economy. High-mobility fractions of capital were concentrated in the leading states, could discipline governments through exit, and benefited from a worldwide open market economy. Low-mobility fractions of capital, by contrast, especially those attached to semiperipheral states, needed to discipline governments through monopolies on voice. Further, relatively richer economies at the core of the world-system were in a better position to compromise with labor. This process resulted in a polarization within countries and in turn a polarization among countries - in favor of a relatively more liberal and international capitalism as against a relatively more nationalist and state-monopoly variant of capitalism.Item REPRESENTATIONS OF THE MILITARY IN 20TH CENTURY ETHNIC AMERICAN LITERATURE(2017) Fontenot, Kara Parks; Nunes, Zita C; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)In 20th century ethnic American literature, writers deploy representations of the US military to expose the operations of American hegemony, articulate relations of power, reveal how they are maintained, identify contradictions in the rhetoric of American nationalism and imagine not yet manifest possibilities for social justice coalitions that cross racial, ethnic, and national lines. As a national institution controlled by the US government and consuming labor in the form of military service from citizens of all classes, races and ethnicities in ways that reflect existing relations of power in American society at large, the US military presents a unique and powerful site for articulation of relationships between nation, race, and class. As evidence, this dissertation explores six American novels, all published in the 20th century and taking as their subject matter US military involvement in declared and undeclared military conflicts of that era. Close readings of these novels bring our attention to three specific examples of political projects for which representations of the US military in literature have been deployed: to question constructions of American nationalism by highlighting contradictions and inconsistencies, to consider the military’s institutionalized labor practices in order to explore relationships between race and class as well as imagine means of struggling for social justice, and to critique US foreign policy and military operations overseas. These writers individually and collectively refuse to examine race and/or ethnicity in isolation but instead consider these aspects of subjectivity in the context of national identity, class relations, immigration, globalization, and other social forces. While the relationship between ethnicity and military service has been addressed in other disciplines, such as history, political science, and social science, I argue that literature is a medium especially well-suited for this exploration as it not only allows for the articulation of existing social relations but also for the imagination of not yet manifest possibilities for social justice coalitions that cross racial, ethnic, and national lines.Item Gospel Music Training, Performance Practice and Its Impact on Leadership Development and Performed Nationalism in a Collegiate Military Choir(2015) Scott, Karla; Balthrop, Carmen A.; Music; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Since America’s beginnings as a British colony, its musical standards have adhered to those of Western Europe. For this reason, musical forms native to America like Black folk spirituals and Gospel music have historically been marginalized in favor of music in the Western classical tradition. Today, a bias towards music of the Western classical tradition exists in those American universities that grant music degrees. While this bias is understandable, inclusion of Gospel music history and performance practice would result in a more complete understanding of American music and its impact on American nationalism. The United States Naval Academy is one of the few American universities that have consistently elevated the performance of Gospel music to the level of Western Classical music within its institutional culture. The motivations for writing this document are to provide a brief history of Gospel music in the United States and of choral music at the Naval Academy. These historical accounts serve as lenses though which the intersection of Gospel music performance practice and leadership development at the United States Naval Academy may be observed. During the last two decades of the twentieth century, Gospel music intersected American military culture at the U.S. Naval Academy. After a few student-led attempts in the 1970s, a Gospel Choir was formed in 1986 but by 1990, it had become an official part of the Music Department. Ultimately, it received institutional support and today, the Gospel Choir is one of three touring choirs authorized to represent the Academy in an official capacity. This document discusses the promotion of Gospel music by the Naval Academy in its efforts to diversify Academy culture and ultimately, Naval and Marine Corps leadership. Finally, this dissertation examines the addition of performed cultural expression (Gospel music) in light of a shift in American nationalism and discusses its impact on Naval Academy culture.Item Civic nationalism in postcolonial states: A comparative analysis of civic nationalism in Mauritus, India and Sri Lanka(2014) Singh, Ila; Tismaneanu, Vladimir; Government and Politics; Digital Repository at the University of Maryland; University of Maryland (College Park, Md)Civic Nationalism is the development of national identity for a state, rooted in egalitarian post enlightenment concepts emphasizing humanity and individual rights. Post colonialism, many developing states embarked on the path of civic nation creation, while implementing democracy in order to govern successfully. This dissertation, it is an extension of nationalism studies into the process of post-colonial nation-state building. The question is of why some post-colonial states developed civic nationalism while others developed ethnic or religious nationalism. Upon independence from Britain, former colonies Mauritius, India and Sri Lanka each had multinational populations, which they intended to govern with the creation of civic nationalism and liberal democratic principles. Instead, today each of the three states can clearly be placed in a progression from most civic to least civic. Mauritius is a liberal democracy bound by civic nationalism, India is working on civic nation creation, and Sri Lanka abandoned the civic nation creation project. This dissertation traces why these three nations evolved so differently when each started out in similar circumstances. Why was Mauritius successful in creating a civic nation, while India is still struggling and Sri Lanka devolved into ethnic nationalism? Addressing, whether an attempt was made during the process of nation-state building to create a civic nation and whether the founding fathers were successful in creating the desired civic nation bound by civic nationalism and a liberal democratic state. If a civic state was created by the founding fathers did subsequent political generations work to maintain and perpetuate the civic nation or did civic nationalism die, thus yielding way for illiberal nationalisms? The purpose of this dissertation is to draw out variables that are held in common across either success or failure in state consolidation of a common civic national identity. The dissertation has led to support for the following hypothesis that, the more committed to a civic nation the political and intellectual elite, and the better established the state’s civic, intellectual and educational institutions are at the time of independence and over subsequent generations; the more likely a liberal democratic state will be to establish and maintain civic nationalism.Item Community through Comedy: Cultural Consciousness in the Russian Soviet Anekdot(2013) Smirnova, Michelle Hannah; Kestnbaum, Meyer; Sociology; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The way by which nationality and citizenship are codified in law or used by political entrepreneurs to mobilize populations is different from how individuals make sense of themselves. Although sharing a particular attribute or physical connection offers some sort of relational identity, it is the product of belonging both to a category and network of individuals in addition to the feeling of belonging which produces a bounded groupness. The Russian Soviet anekdot--a politically subversive joke--provides an intimate view into the perspective of the Russian people living under the Soviet regime. The anekdot serves as a discourse of "cultural consciousness," connecting otherwise atomized people to a homeland, collective culture and memory. Beyond its transgressive properties, politically subversive texts like the anekdot articulate the details of an intimate set of knowledges that insiders "are taught not to know" (Taussig 1999). In this dissertation I look at how the characters and narratives construct (1) the boundaries of "we"--who belongs and who does not by exploring how different groups are "marked" in the anekdoty, (2) how the collectivity negotiates their understanding of leaders, institutions and State propaganda as a means of rejecting or reifying aspects of Soviet power, and (3) what sort of collective memory and identity is conveyed through the expressions of the public secret, nostalgia and/or regret. The anekdot reveals power dynamics at multiple levels: within the family, between ethnic groups and geographical regions, and between people and state. Together these multiple identities and relationships express a form of "cultural consciousness" among Russians uniting this group in a shared identity and network amid the disintegration of the Soviet Union.Item Culture Wars and Contested Identities: Social Policy and German Nationalisms in Interwar Slovenia, 1918-1941(2013) Reul, Nathaniel; Herf, Jeffrey; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This thesis analyzes the nature of ethnic Germans' self-identities and nationalisms in interwar Slovenia. Slovenia's German minorities' reactions to domestic social policies and world events that impacted them are examined primarily through locally-based German-language newspapers. Germans in Slovenia had had multiple identities and nationalisms, and these were shaped by social policies and domestic and foreign events, especially after the National Socialists' seizure of power in Germany in 1933. Pan-German nationalism was strong and widespread, and viewed Slovene minority policies as being purposeful attempts to eradicate the very existence of Germandom. This type of nationalism competed with other types of German nationalisms and identities which sought to integrate into and contribute to Slovene society without compromising their uniquely Germanic culture. National Socialism's appeal was so strong because it promised a reunion of Slovenia's Germandom with the wider Volk and a restoration of the minorities' societal dominance in the region.