UMD Theses and Dissertations

Permanent URI for this collectionhttp://hdl.handle.net/1903/3

New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a given thesis/dissertation in DRUM.

More information is available at Theses and Dissertations at University of Maryland Libraries.

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    The Home We Can Never Leave
    (2023) Richardson-Deppe, Charlotte R; Keener, Cy; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    Growing up, I performed aerial arts in a circus. In the circus, a web of interdependence keeps you off the ground—the tightness of your grip, the strength of your friend holding you up, the trust in an apparatus to hold your weight. In my own body now, I feel the residual stretch, tension, and ache the circus left in me—remnants of bodies pushing through pain, defying gravity to hold one another up. Via soft sculpture and performance, I negotiate the body as a site of both liberating autonomy and confining oppression.
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    DWELLING: A PERSPECTIVE OF THE IN-BETWEEN
    (2019) Carlson, Stacey; Keefe, Maura; Dance; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    Today’s contemporary circus is marked by a merging of embodied practices, including dance, puppetry and clowning. Apart from etymological play on meaning and the corporeal; the mixing, meddling, and swirling of genres not only offers the artist a new way to express sensory experiences, but also engages the artist and the art into a new interdependent relationship with an interactive audience. This research explores how these traditional and contemporary art forms are being interpreted, understood and contextualized. Through a tacit use of phenomenology, the study contributes to a better understanding of the location of embodied practice in dance research and it establishes the interconnectedness between tradition and modernity; past, present, and future; and the exploration of the in-between. Dwelling was an interdisciplinary work performed October 12 and 14, 2018 in the Kogod Theater at the Clarice Performing Arts Center in partial fulfillment of the Master in Fine Arts degree from the University of Maryland, College Park’s School of Theater, Dance, and Performance Studies.