UMD Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/3
New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a given thesis/dissertation in DRUM.
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Item Building Education: Creating a Flexible Model For Sustainably Developing Communities In Latin America(2019) Nicolich, Ana Maria; Burke, Juan; Architecture; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Latin America has a deep-rooted history with issues of poverty. Education is a vital part of the solution. Education and increased literacy can help communities break away from a cycle of poverty by opening doors and creating opportunities for independence. Many impoverished countries in Latin America rely on the cultivation of primary products to sustain their economies. Unfortunately, the high number of illiterate and untrained laborers in these parts of the world halts their progress. These are recurring issues in many underdeveloped countries. Rural communities tend to be deprived of resources and this leads to an exodus of the young as they are looking for opportunities for growth. They leave their villages and don’t always come back having completed a full education. This thesis intends to create a model for an educational facility that can be applied to multiple contexts, with an effort to empower communities through providing education for children to achieve their full potential, and for agricultural workers to heighten their knowledge about the trades that affect their livelihoods directly Research will explore modular design as a means to cater to the diverse contexts with a changing demand and whether a possible model can be self-sustaining. It will also explore how a building can bring a community together. Could a deployable model be effective cross culturally? Can flexible design help mobilize a struggling community? How to create an environment that can be conducive to learning?Item On the effects of inter-governmental transfers on macroeconomic stability(2012) Radics, Gustavo Axel; Swagel, Phillip L; Public Policy; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation explores the effects of inter-governmental transfers on macroeconomic stability, evaluating the case of Peru, which experienced a large increase in transfers to local governments from 2001 to 2010, linked to the fiscal revenue from the development of natural resources. The findings indicate that, although the surge in transfers in Peru is not an imminent threat on macroeconomic stability, it created a fiscal risk through two main channels. First, the reduction in the fiscal space of the central government to conduct counter-cyclical fiscal policy, since it shares with sub-national governments an increased proportion of its revenue from corporate income tax on extractive industries, which is the tax that grew most in Peru over the last decade and is also the most volatile. And second, the high increase of local expenditures due to increased transfers from the central government, which is a manifestation of the flypaper effect. This increased local expenditure contributed to a larger share of local government participation in the general government. In turn, this increased participation contributed to put pressure on the central government to allocate more funds to local governments when transfers fell. Contrary to conventional wisdom, the results also show that local governments in Peru do not reduce their fiscal effort in terms of own taxation in response to the high increase in transfers. This dissertation builds on the literature on the link between decentralization and macroeconomic stability, with particular reference to the allocation of the fiscal revenue from the development of natural resources among levels of government, which is an important issue in many countries around the world, in the context of the high rise in commodity prices of the last decade. It provides lessons related to the consequences of sharing a large proportion of the fiscal revenue from the development of natural resources with sub-national governments, as well as policy options for Peru to improve its decentralization process.Item Musical Participation and Social Bonding in La Negrería Fiesta of Huancaya, Peru(2011) Goldman, Elizabeth Ann; Provine, Robert C; Rios, Fernando; Music; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This thesis examines the relationship between musical participation and social bonding in La Negrería fiesta of Huancaya, Peru. La Negrería is celebrated throughout the central Peruvian Andes, and the use of black masks is a defining feature of this occasion. Fiesta origins reference both Catholic elements and African slavery which bond participants together by shared religous and historical backgrounds. The organizational structure of leadership positions and dance participants maintain order and encourage a collective identity of "sameness" in their attire and behavior. The musical structure and elements maintain flow and musical consistency, allowing sychronized dance movements to stay fluid and together throughout the fiesta. Neighboring communities distinguish themselves from each other by variations in their music, dance, and costumes. Fiesta origins, organization, music and dance, and distinction from other communities allows Huancaya participants in La Negrería to establish social bonds through a unique collective identity.Item THE ARCHITECTURAL VESSELS OF THE MOCHE OF PERU (C.E. 200-850): ARCHITECTURE FOR THE AFTERLIFE(2010) Wiersema, Juliet Benham; Pillsbury, Joanne; Venit, Marjorie; Art History and Archaeology; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation investigates sculpted representations of ritual architecture produced by the Moche (C.E. 200-850), a complex and socially-stratified society occupying Peru's north coast centuries before the formation of the Inca Empire. My study focuses on a single artifact type--the Moche architectural vessel--a portable fine ware ceramic container with a stirrup-shaped handle and straight spout which supports a miniature modeled building. Moche architectural vessels mimic the form of structures and features identified in full-scale Moche architecture. When discovered archaeologically, these objects accompany elite burials found within or in close proximity to Moche ritual architecture, or huacas. For art historians and archaeologists, these portable artifacts constitute one of the most important sources of data on Moche ritual architecture and as such, permit us a more nuanced understanding of ancient ceremonial structures which have been compromised by centuries of erosion, treasure hunting, and cataclysmic events. While Moche architectural vessels have been considered simple and somewhat generic representations of temples or temple complexes, my study suggests these objects instead relay explicit information about geographically, temporally, or ideologically specific ritual structures. In this dissertation, I propose a practical method for "decoding" these objects and demonstrate that, once deciphered, Moche architectural vessels can elucidate the original form, function, and ideological significance of Moche ceremonial architecture. My research draws upon several disciplines including art history, anthropology, ethnography, and ethnomusicology. Important contributions include the assembly of the first Moche architectural vessel corpus (169 vessels), the creation of a detailed 10-type Moche architectural vessel typology, a new method for visualizing these objects, and the discovery that several vessels are additionally acoustic artifacts. My study presents a new investigative model, applicable to other areas in the ancient Andes and Mesoamerica, where, for millennia, ceramic representations of architecture formed an important part of burial ritual. Moche architectural vessels also engage in a cross-cultural dialogue with architectural representations made for burial by other ancient cultures around the globe, including Han Dynasty China, Middle Kingdom Egypt, Iron Age Italy, Ancient West Mexico, and Aztec Mexico. They also illuminate the rich potential of ceremonial objects made by advanced societies without text-based histories.Item Ukhu Mankakuna: Culinary Representations in Quechua Cultural Texts(2006-04-28) Krogel, Alison Marie; Harrison, Regina; Comparative Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation explores culinary representations within colonial and contemporary Quechua texts selected from the genres of oral narrative, photography, painting, historical chronicle, song, poetry and the novel. The first chapter presents a cultural history of Andean foodstuffs, as well as an ethnographic narrative based on interviews with vendors and cooks in the Cuzco Central Market. The ensuing analysis reveals some of the conflicts and negotiations associated with the market's hierarchy of profits and prestige. Chapter two focuses on pre-colonial and colonial culinary representations as portrayed in various Incaic Quechua hymns, the Comentarios reales and religious canvases, while the third chapter explores contemporary representations of Quechua female cooks in Los ríos profundos, Asunta Quispe Huamán's Autobiografia and the photographs of Martín Chambi. Chapter four discusses the representation of the malevolent layqa wayk'uq ('witch cook') in a number of Quechua willakuy (oral narrations) which I recorded, transcribed and translated in highland villages of Southern Perú. In analyzing the nuances and levels of meaning contained within examples of Quechua expressive art, I offer semantic and syntactic readings of the texts while also considering the socio-economic, historical and political contexts in which they were created. I also explore the ways in which Quechua artists manipulate the representation of Andean foodstuffs and cooks as an oppositional tactic for evading and manipulating the repressive tendencies of powerful political, economic and social discourses. I argue that in these texts, the 'everyday practice' of cooking allows Quechua women to take an active role in shaping their society and the lives of their families and community. In addition to exploring some of the unique aspects of Quechua aesthetic expression in both colonial and contemporary texts, this dissertation concludes with a discussion of food politics and policies in contemporary Perú. Scholars studying food's role in society have long provided important insights in disciplines such as history, philosophy, anthropology, literature and sociology. By strategically crossing over these disciplinary boundaries in choosing theoretical and methodological tools, this dissertation creates a dialogue with the fields of Andean Studies, Latin American Studies, Native American Studies, Comparative Literature, Anthropology and Food Studies.Item Slithering Serpents and the Afterlives of Stones: The Role of Ornament in Inka-Style Architecture of Cusco, Peru(2005-11-22) Trever, Lisa Senchyshyn; Pillsbury, Joanne; Art History and Archaeology; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Serpent reliefs and other pre-Hispanic motifs occasionally appear on the façades of early colonial Inka-style masonry buildings in Cusco, the former capital of the Inka empire, although similar carvings are only rarely seen on earlier Inka architecture. This research demonstrates that while some ashlars were reused from pre-Hispanic Inka walls, the reliefs were likely carved during the colonial era. Central to this analysis is the premise that the breakdown of Inka state iconoclasm allowed native masons greater decorative license. The appearance of Andean motifs on houses built for the city's Spanish inhabitants reveals the complexity of early colonial attitudes toward indigenous culture. The carvings provide an opportunity to investigate the shifting meanings of Andean symbols during the early years of the Spanish presence in Peru. Indeed, these motifs, carved after the Inka imperial collapse, have since become iconic of "Inka-ness" and are replicated in Cusco's twentieth-century municipal architecture.