UMD Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/3
New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a given thesis/dissertation in DRUM.
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Item Vienna's Transnational Fringe: Arts Funding, Aesthetic Agitation, and Europeanization(2011) Poole, Justin Aaron; Hildy, Franklin J; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation deals with a subculture of transnational fringe artists, which is emerging in Europe in the early part of the twenty first century. It examines this subculture within the confines of Vienna, Austria, which was once the capital of a grand supra-national empire that spanned much of Central and Eastern Europe. Vienna is the site of this case study because in recent years the city has been instituting a self-conscious internationalization of its fringe scene, which resulted from local politicians' desires to help the city regain some of its long lost symbolic capital and become a legitimate competitor in an expanding and converging European field of cultural and economic production. In Vienna's struggle for symbolic capital, the city's subculture of fringe artists is defined by their need to collaborate with the socio-political demands of the local government. They are also impacted by the requirement that they adhere to the economic, ideological, and aesthetic demands of transnational social spaces, i.e. co-production venues and fringe festivals, throughout Europe. The artists are enmeshed in external pressures as they forge paths for themselves within an increasingly uniform European fringe scene. The artists' complicity in the processes of globalization and Europeanization, which enable their subculture as they threaten to divest them of their "avant-garde impulse," causes the artists to adopt a highly ironic posture in their work. This posture, which is evident in their performances, may be partially to blame for a widespread claim that European fringe artists are suffering from an aesthetic crisis. An examination of two fringe groups, i.e. Toxic Dreams and Superamas, which are thriving within Vienna's current system, reveals how any analysis of the aesthetics and ideologies of the performances being generated in the context of Europe's fringe scene must take into account the material realities that the artists are facing. In this dissertation the term conglomerate performance is used a as a descriptor for the emergent genre that is adapted from a media-induced and "McDonalidized" system of cultural production within a specific, yet vital niche of European culture.Item Germany, Afghanistan, and the Process of Decision Making in German Foreign Policy: Constructing a Framework for Analysis(2011) Johnston, Karin Lynn; Quester, George; Government and Politics; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Germany's emerging role as a supplier of security by contributing troops to out-of-area operations is a significant change in post-unification German foreign and security policy, and yet few studies have sought to explain how the process of decision making also has changed in order to accommodate the external and domestic factors that shape policy preferences and outcomes. The dissertation addresses these theoretical gaps in foreign policy analysis and in German foreign and security policy studies by examining the decision-making process in the case of Afghanistan from 2001-2008, emphasizing the importance of institutional structures that enable and constrain decision makers and then gathering the empirical evidence to construct a framework for analyzing German foreign policy decision making. The dynamics of decision making at the state level are examined by hypothesizing about the role of the chancellor in the decision-making process--whether there has been an expansion of chancellorial power relative to other actors--and about the role of coalition politics and the relative influence of the junior coalition partner in coalition governments. Results indicate that there are few signs that federal chancellors dominate or otherwise control decision-making outcomes, and that coalition politics remain a strong explanatory factor in the process that shapes the parameters of policy choices. The dissertation highlights the central role of the Bundestag, the German parliament. The German armed forces are, indeed, a "parliamentary army," and the decision-making process in the Afghanistan case shows how operational parameters can be affected by parliamentary involvement. The framework for analysis of German foreign policy decision making outlines the formal aspects while emphasizing the importance of the informal process of decision making that is characterized by political bargaining and consensus building among major actors, particularly between the government and the parliamentary party fractions. Thus, any examination of German out-of-area missions must take into account the co-determinative nature of decision making between the executive and legislative actors in shaping German foreign policy regarding its military engagements around the world.