UMD Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/3
New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a given thesis/dissertation in DRUM.
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Item Speculative Citizenship: Race, National Belonging, and the Counterfactual Imagination in the Literature of the Long Reconstruction(2024) Ewing, Annemarie Mott; Levine, Robert S.; Wong, Edlie; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)“Speculative Citizenship: Race, National Belonging, and the Counterfactual Imagination in the Literature of the Long Reconstruction” explores how key Reconstruction writers addressed citizenship as a guiding concept. Writers such as Charles Chesnutt, Albion Tourgée, Maria Amparo Ruiz de Burton, Ohiyesa (Charles Eastman), and Edward A. Johnson revealed the malleable, unstable, and speculative nature of US citizenship and the Reconstruction era itself. Even as the 14th Amendment formally defined citizenship for the first time in 1868, its interpretations varied, causing citizenship to remain a contested concept with actively negotiated legal inclusions and exclusions. Debates and uncertainties about citizenship provided an opportunity for Reconstruction writers to delineate more capacious concepts of citizenship than its evolving legal definitions. This dissertation examines Reconstruction authors’ use of what I am calling the “counterfactual imaginary,” a mode characterized by dislocating, retrospective, or utopian speculation that works to represent the fluid boundaries of national belonging. The counterfactual, often signaled by conditional tenses, considers what could have been and what might be. Conditional tenses best express the expansive, utopian possibility of Reconstruction while depicting its present injustices. The authors discussed in my dissertation focus not only on citizenship’s legal definitions in their writings, but also on citizenship as it was performed and practiced. They speculate, sometimes wildly in experimental fiction, about what sort of world could still be created. They forecast a nation in which citizenship and national belonging were defined more inclusively than in the courts or Congress. Collectively, “Speculative Citizenship” illuminates inclusions and exclusions afforded by the 14th amendment. The first and fourth chapters examine literary portrayals of the ways the 14th amendment expanded citizenship in two ways—intentionally to African American men and inadvertently to corporations through the establishment of the concept of corporate personhood. The 14th amendment, Albion Tourgée and Maria Amparo Ruiz de Burton suggest, established corporate personhood in ways that aided Westward expansion and the dispossession and exclusion from full citizenship of Mexican Americans and Indigenous peoples. The second and third chapters explore two exclusions of the amendment–the brief exclusion of former Confederates from the rights of full US citizenship and the ongoing exclusion of Indigenous people both in terms of a refusal to grant citizenship and a parallel refusal to recognize Indigenous sovereignty. Foregrounding the perspectives of authors like Ohiyesa (Charles Eastman) and student writers publishing in Indigenous boarding school newspapers offers new ways of looking at how citizenship and national belonging were conceptualized in the literature of the long Reconstruction era and beyond.Item By Custom and By Law: Black Folklore and Racial Representation at the Birth of Jim Crow(2006-11-29) Moody, Shirley C.; Washington, Mary Helen; Pearson, Barry Lee; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)By Custom and By Law: Black Folklore and Racial Representation at the Birth of Jim Crow establishes folklore as a contested site in the construction of racial identity during the emergence and solidification of legalized racial segregation at the end of the nineteenth century. By examining institutional interests, popular culture performances, and political rhetoric, I demonstrate how representations of black folklore played a seminal role in perpetuating a public discourse of racial difference. Alternately, my work introduces new scholarship examining the counter-narratives posed by nineteenth-century African American scholars, writers and folklorists who employed folklore in their various academic works and artistic productions as a vehicle to expose and critique post-Reconstruction racial hierarchies. In chapter one I reveal how constructions of black folklore in ante- and post-bellum popular culture intersected with emergent white folklore studies to provide a taxonomy for codifying racial difference, while simultaneously designating folklore as the medium through which racial representation would be debated. Chapter two recovers the important, but virtually unacknowledged role of African American folklorists in brokering public and academic access to black folk culture and in providing an alternative to the racist constructions of black folklore prevalent in the post-Reconstruction era. Chapter three re-contextualizes Charles Chesnutt's The Conjure Woman as both a response to the larger national discourse surrounding black folklore and also as part of a concerted effort among black intellectuals to first expose how perceptions of racial realities were constructed through representations of black folklore, and then to redefine the role of black folklore in African American cultural and literary works. In sum, my dissertation provides a cultural history of a formative moment in the construction of a late nineteenth century racialized discourse that placed representations of black folklore at its center. My research both recovers the neglected role of early black folklorists and writers in studying and interpreting black cultural traditions and asserts the profound significance of representations of black folklore in negotiating the perceptions and practices that have worked to define US racial ideologies in the nineteenth century and beyond.