UMD Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/3
New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a given thesis/dissertation in DRUM.
More information is available at Theses and Dissertations at University of Maryland Libraries.
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Item PERSISTENCE OF FORM: A MATERIAL ETHNOGRAPHY THROUGH THE ARCHITECTURE OF ANAHEIM’S 20TH CENTURY LANDSCAPE(2022) Reed, Dean Joseph; Palus, Matthew M.; Samuels, Kathryn L.; Anthropology; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)During the mid-20th century, Anaheim was one of many small unincorporated communities within southern California that would undergo a transition from a rural agricultural community into an industrial and commercial suburban sprawl. Previous works in cultural heritage resource management and local historical research within the City have been primarily centered around their local historic districts or larger commercial areas. However, the areas within proximity to these culturally defining areas have been largely undocumented. Those that have been documented have been studied under the regulatory lens of the National Historic Preservation Act or the California Environmental Quality Act. As a result, they are interpreted as just a product general growth of the City in the post-World War II era and determined ineligible for treatment or protection as historic resources. However, properties of this type are often examined as material culture that is independent of its surroundings. They have not been thoroughly examined for their data potential outside of the regulatory lens, nor has their connection to each other and the greater Anaheim landscape been considered fully. The analysis of architecture is useful in helping us understand production and use of space within the built environment. A further analysis, with the application of theory based in social production, space and place, and landscape may elaborate further on the broader social structures, allow a fuller understanding of the past, and help unpack the notion of material culture as a product. An approximately one-mile segment of East Lincoln Avenue, located near the center of Anaheim, exhibits a variety of the City’s vernacular architecture. In what ways did the City’s development allow these buildings to persist, and what processes were at play in their reconfiguration? Material culture, as a social product, requires a broader theoretical lens, a need to understand cultural resources as a part of a landscape, and a more in depth look into the individual. As the mid-20th century landscape emerges in the historical record, the importance of understanding the social factors that were at play are relevant to their preservation, especially as each phase of construction becomes overshadowed by the next, even to this day.Item Tunnel Vision: Urban Renewal in Rio de Janeiro, 1960-1975(2006-06-01) Kehren, Mark Edward; Weinstein, Barbara; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Following the inauguration of the newly constructed capital of Brasília in April 1960, the former federal district and Brazilian capital of Rio de Janeiro was transformed into the city-state of Guanabara. Although Rio lost its status as the political capital of Brazil after nearly 200 years, extensive urban renewal campaigns to modernize the city were employed by numerous politicians, planners, architects, artists, and ordinary residents to help restore Rio's position as Brazil's "true" capital city. This dissertation examines these urban renewal efforts in Guanabara from 1960 to 1975 - a period when Rio de Janeiro experienced its largest period of population and spatial growth. Whereas many of the urban renewal campaigns and projects for development prior to 1945 were intended to beautify, embellish, and "civilize" the city, the projects of the 1960s and 1970s were highly technical and revolved around integrating the automobile into the urban landscape. The measures of investment and resources devoted to modernizing and reforming the city during the Guanabara period were unprecedented for Rio de Janeiro, consequently resulting in significant spatial, social, cultural, and economic reorganization of the city. "Tunnel Vision: Urban Renewal in Rio de Janeiro, 1960-1975" examines specific projects of urban renewal such as tunnels (Rebouças and Santa Bárbara), expressways, parks (Aterro do Flamengo), subways, overpasses, and beaches while also exploring the technocratic approach to urban planning which was demonstrated through attitudes and principles that often marginalized "non-expert" participation in reforming the city. Using diverse primary sources such as government and urban planning documents, as well as neighborhood association materials, this dissertation also considers broader historical issues such as the politics and culture of military regimes, as well as questions related to the built environment, comparative planning cultures, space, class, race, ethnicity, and popular culture. Furthermore, this study also argues that the politics and culture of urban planning in Rio de Janeiro during the Guanabara period mirrored many of the same political, cultural, and social tensions that existed throughout Brazil and Latin America before and after the Brazilian military coup of 1964.