UMD Theses and Dissertations

Permanent URI for this collectionhttp://hdl.handle.net/1903/3

New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a given thesis/dissertation in DRUM.

More information is available at Theses and Dissertations at University of Maryland Libraries.

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Author: search.filters.author.Foutz, Jeremy W.Subject: search.filters.subject.Georgia

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    Ancientness and Traditionality: Cultural Intersections of Vocal Music and History in the Republic of Georgia
    (2010) Foutz, Jeremy W.; Provine, Robert C; Music; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    Drawing on varied sources and personal fieldwork, data suggests the use of Georgian traditional music as a way for modern Georgians to reclaim and re-imagine the past. The history of Georgia and Georgian perspectives of history both gives context for the music and illustrates many modern Georgians' sense of being under siege. Within Georgian ethnomusicology and within the dominant Georgian culture itself, two concepts, "traditionality" and "ancientness," play prominent roles in perspectives of Georgian traditional vocal music and identity formation. After describing traditionality and ancientness in the Georgian context, we explore several roles they play in the formation of Georgian identity. Many current Georgians, in choosing to practice traditionality with their musical performances and perceptions, draw close to their imagined, idealized past. Furthermore, ancientness of Georgian traditional vocal music helps defend the border against the "theoretical other" - whether geographic neighbors or historical oppressors - through difference-making.