History Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/2778
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Item Development Begins at Home: Women and the Domestic Economy in Brazil, 1945-1975(2016) Moura, Shawn; Williams, Daryle; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)A number of historians of twentieth-century Latin America have identified ways that national labor laws, civil codes, social welfare programs, and business practices contributed to a gendered division of society that subordinated women to men in national economic development, household management, and familial relations. Few scholars, however, have critically explored women's roles as consumers and housewives in these intertwined realms. This work examines the Brazilian case after the Second World War, arguing that economic policies and business practices associated with “developmentalism” [Portuguese: desenvolvimentismo] created openings for women to engage in debates about national progress and transnational standards of modernity. While acknowledging that an asymmetry of gender relations persisted, the study demonstrates that urban women expanded their agency in this period, especially over areas of economic and family life deemed "domestic." This dissertation examines periodicals, consumer research statistics, public opinion surveys, personal interviews, corporate archives, the archives of key women’s organizations, and government officials’ records to identify the role that women and household economies played in Brazilian developmentalism between 1945 and 1975. Its principal argument is that business and political elites attempted to define gender roles for adult urban women as housewives and mothers, linking their management of the household to familial well-being and national modernization. In turn, Brazilian women deployed these idealized roles in public to advance their own economic interests, especially in the management of household finances and consumption, as well as to expand legal rights for married women, and increase women’s participation in the workforce. As the market for women's labor expanded with continued industrialization, these efforts defined a more active role for women in the economy and in debates about the trajectory of national development policies.Item Fractured Front: Gender, Authenticity, and the Remaking of the American Left after World War Two(2012) Larocco, Christina G.; Muncy, Robyn; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation is a study of one long&ndashterm, inherently gendered effect of the Cold War. In the immediate aftermath of World War Two, as the emerging Cold War empowered a long&ndashstanding anti&ndashcommunist strain in U.S. political culture, many artists and intellectuals feared the massification of human beings communism allegedly produced. One of the tools they developed to combat this specter of massification was the discourse of authenticity. Authenticity was predicated on the belief that useful analyses of the world came only from individual thought, experience, and emotion&mdashnot existing political theories or overarching explanations. The artists and intellectuals who developed this theory argued that the expression of this individual truth was the best way to combat and prevent totalitarianism. Authenticity continued to be important to the white, left&ndashleaning social movements of the 1960s. Through them, it fed into the identity politics of the 1970s and 1980s. I thus draw a straight line between Cold War anti&ndashtotalitarianism and identity politics. I explore this phenomenon in a range of cultural, intellectual, and political realms, including the anti&ndashtotalitarian thought of Frankfurt School intellectuals, the Method acting of Lee Strasberg, the Beat writing of Jack Kerouac, and the New Left politics of Students for a Democratic Society. In each arena, I trace two key patterns. The first is the gendering of authenticity. The men who dominated these fields often insisted that women were too deeply tied to the conformist &ldquomass&rdquo to be truly authentic. Women like Method actress and teacher Stella Adler, liberal feminist Betty Friedan, Beat writer Joyce Glassman Johnson, and the women's liberationists who broke off from SDS had to fight to be included in this culture. I document their attempts to do so. Second, I argue that the connection between 1950s culture and 1960s New Left activism went far beyond a shared gender politics. The discourse of authenticity also granted special authority to the artist, who was imagined as the figure best equipped to resist the forces of massification. This belief had far-reaching effects on the relationship between cultural production and left politics, precluding the appearance of a 1930s&ndashstyle &ldquocultural front&rdquo.