History Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/2778
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Item ENGENDERED EXPERIENCES OF FREEDOM: LIBERATED AFRICAN WOMEN IN RIO DE JANEIRO, 1834-1864(2020) Nadalini Mendes, Ana Paula; Williams, Daryle; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)“Engendered Experiences of Freedom: Liberated African Women in Rio de Janeiro (1834-1864)” investigates how gender differences in daily lives of liberated African women in Brazil shaped the way they experienced freedom. This research argues that gendered-based differences influenced their experiences of freedom in its various contexts, including their relationship to labor, their struggles for emancipation, and their approach to legal system. Moreover, this thesis follows the lives of particular liberated African women through their process of petitioning for emancipation twenty years after they got to Brazil. Although the first half of the nineteenth century was marked by legal efforts to bar importation of slaves from Africa to Brazil, many slave ships entered Brazilian ports successfully. The Rio da Prata, however, was an exception. In November 1834, the British marine intercepted the vessel, that was halfway between Africa and South America. The Anglo-Brazilian Mixed Commission judged the case as a transgression of the Treaty of 1826, that forbade Brazil to participate in the slave trade, condemned the vessel to be a good-prize and liberated more than two hundred Africans. These Africans worked for private houses and public works in a probation system for at least 20 years when the decree 1303 of 1853 allowed them to access the legal system and request their final emancipation. This process lasted for ten years, when in 1864 the Brazilian government declared emancipated all liberated Africans This thesis intervenes in debates about bondage and resistance by considering liberated Africans women inside the context of slavery in Brazil. It argues that these women had a particular way of fighting for freedom, due, first, to their own capacity of resistance, second to their conditions of labor, and, third, to specificities of the Brazilian set of laws. From legal petitions of emancipation, police records, guardians’ declarations, and newspapers advertisements the chapters follow lives of liberated African women from the Rio da Prata to show how they experienced freedom.Item Development Begins at Home: Women and the Domestic Economy in Brazil, 1945-1975(2016) Moura, Shawn; Williams, Daryle; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)A number of historians of twentieth-century Latin America have identified ways that national labor laws, civil codes, social welfare programs, and business practices contributed to a gendered division of society that subordinated women to men in national economic development, household management, and familial relations. Few scholars, however, have critically explored women's roles as consumers and housewives in these intertwined realms. This work examines the Brazilian case after the Second World War, arguing that economic policies and business practices associated with “developmentalism” [Portuguese: desenvolvimentismo] created openings for women to engage in debates about national progress and transnational standards of modernity. While acknowledging that an asymmetry of gender relations persisted, the study demonstrates that urban women expanded their agency in this period, especially over areas of economic and family life deemed "domestic." This dissertation examines periodicals, consumer research statistics, public opinion surveys, personal interviews, corporate archives, the archives of key women’s organizations, and government officials’ records to identify the role that women and household economies played in Brazilian developmentalism between 1945 and 1975. Its principal argument is that business and political elites attempted to define gender roles for adult urban women as housewives and mothers, linking their management of the household to familial well-being and national modernization. In turn, Brazilian women deployed these idealized roles in public to advance their own economic interests, especially in the management of household finances and consumption, as well as to expand legal rights for married women, and increase women’s participation in the workforce. As the market for women's labor expanded with continued industrialization, these efforts defined a more active role for women in the economy and in debates about the trajectory of national development policies.Item MODERNIZATION AND VISUAL ECONOMY: FILM, PHOTOJOURNALISM, AND THE PUBLIC SPHERE IN BRAZIL AND ARGENTINA, 1955-1980(2010) Halperin, Paula; Weinstein, Barbara; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation explores the relationship among visual culture, nationalism, and modernization in Argentina and Brazil in a period of extreme political instability, marked by an alternation of weak civilian governments and dictatorships. I argue that motion pictures and photojournalism were constitutive elements of a modern public sphere that did not conform to the classic formulation advanced by Jürgen Habermas. Rather than treating the public sphere as progressively degraded by the mass media and cultural industries, I trace how, in postwar Argentina and Brazil, the increased production and circulation of mass media images contributed to active public debate and civic participation. With the progressive internationalization of entertainment markets that began in the 1950s in the modern cities of São Paulo, Rio de Janeiro, and Buenos Aires there was a dramatic growth in the number of film spectators and production, movie theaters and critics, popular magazines and academic journals that focused on film. Through close analysis of images distributed widely in international media circuits I reconstruct and analyze Brazilian and Argentine postwar visual economies from a transnational perspective to understand the constitution of the public sphere and how modernization, Latin American identity, nationhood, and socio-cultural change and conflict were represented and debated in those media. Cinema and the visual after World War II became a worldwide locus of production and circulation of discourses about history, national identity, and social mores, and a space of contention and discussion of modernization. Developments such as the Bandung Conference in 1955, the decolonization of Africa, the Cuban Revolution, together with the uneven impact of modernization, created a "Third Worldism" and "Latin Americanism" that transformed public debate and the cultural field. By researching "peripheral" nations, I add to our understanding of the process of the transnationalization of the cultural field and the emergence of a global mass culture in the 1960s and 1970s.Item Tunnel Vision: Urban Renewal in Rio de Janeiro, 1960-1975(2006-06-01) Kehren, Mark Edward; Weinstein, Barbara; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Following the inauguration of the newly constructed capital of Brasília in April 1960, the former federal district and Brazilian capital of Rio de Janeiro was transformed into the city-state of Guanabara. Although Rio lost its status as the political capital of Brazil after nearly 200 years, extensive urban renewal campaigns to modernize the city were employed by numerous politicians, planners, architects, artists, and ordinary residents to help restore Rio's position as Brazil's "true" capital city. This dissertation examines these urban renewal efforts in Guanabara from 1960 to 1975 - a period when Rio de Janeiro experienced its largest period of population and spatial growth. Whereas many of the urban renewal campaigns and projects for development prior to 1945 were intended to beautify, embellish, and "civilize" the city, the projects of the 1960s and 1970s were highly technical and revolved around integrating the automobile into the urban landscape. The measures of investment and resources devoted to modernizing and reforming the city during the Guanabara period were unprecedented for Rio de Janeiro, consequently resulting in significant spatial, social, cultural, and economic reorganization of the city. "Tunnel Vision: Urban Renewal in Rio de Janeiro, 1960-1975" examines specific projects of urban renewal such as tunnels (Rebouças and Santa Bárbara), expressways, parks (Aterro do Flamengo), subways, overpasses, and beaches while also exploring the technocratic approach to urban planning which was demonstrated through attitudes and principles that often marginalized "non-expert" participation in reforming the city. Using diverse primary sources such as government and urban planning documents, as well as neighborhood association materials, this dissertation also considers broader historical issues such as the politics and culture of military regimes, as well as questions related to the built environment, comparative planning cultures, space, class, race, ethnicity, and popular culture. Furthermore, this study also argues that the politics and culture of urban planning in Rio de Janeiro during the Guanabara period mirrored many of the same political, cultural, and social tensions that existed throughout Brazil and Latin America before and after the Brazilian military coup of 1964.