Women's Studies Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/2809
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Item Like I'm Kin to Him: Black Trans Publics, Relational Bonds, and Collective Creation(2023) Lundy-Harris, Amira Naima; Lothian, Alexis; Women's Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Like I’m Kin to Him: Black Trans Publics, Relational Bonds, and Collective Creation traces a history of Black trans relationality in the United States since the 1970’s, investigating what possibilities these connections offer, examining what challenges they present, and exploring what they might mean for the making of the self. This dissertation utilizes a mixed-methods approach, bringing together archival readings, literary analysis, and interviews to theorize the creation and cultivation of Black trans kinship bonds. Taking up Black trans studies, digital studies, public spheres theory, and kinship studies across disparate yet interconnected media contexts, the project tracks how Black trans people meet each other (from support groups to parties to YouTube), how we come to see each other as family, and how these connections help shape who we understand ourselves to be. This dissertation looks to four different sites— a home built for trans youth, a memoir, a social media platform, and a contemporary movement—and explores what kind of shelter they may offer. To this end, the chapters of Like I'm Kin to Him weave together to elucidate a genealogy of Black trans community and life over the last 50 years.Item SOME OF US ARE STARING AT THE STARS: SPECULATIVE FICTION, FANDOM, AND TRANS IMAGINATION(2023) Hagen, Damien; Lothian, Alexis; Women's Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Some of us are staring at the stars: Speculative Fiction, Fandom, and Trans Imagination takes up the multiple ways that trans and nonbinary people have used speculative fiction as a survival strategy and worldbuilding tool. Through engagement with trans and nonbinary fans and creators of imaginative works, Damien shows how speculative fiction has powerful material effects for trans lives. Primary attention is given to the possibilities contained in media that was not created to be explicitly “transgender,” but was experienced and read as such through a “trans imaginary.” Damien’s research methods are interdisciplinary, incorporating the use of autoethnography, focus groups, close readings, and thematic analysis. Chapters include an analysis of regeneration as trans possibility in the TV series Doctor Who, an inquiry into shared experiences among trans and nonbinary fans deriving from focus group interviews, an examination of the ways the genre of “body horror” in film and television has been used as a tool for processing and dealing with experiences of body dysphoria, and an analysis of the trans world building possibilities in Blue Delliquanti’s Oh Human Star and Gretchen Felker-Martin’s Manhunt.Item Women's Studies Worldwide: Cartographies of Transnational Academic Feminism(2023) Montague, Clara; Tambe, Ashwini; Women's Studies; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation retells the history of women’s studies from a global perspective, challenging traditional U.S. and Eurocentric narratives about this emerging interdisciplinary field. Beginning with questions about why women’s, gender, and sexuality studies has incited backlash across a range of cultural and geographic locations, this study draws on transnational feminist theory and higher education research to argue for a more broadly situated understanding of academic feminism. Chapter One describes the creation of a digital map featuring more than nine hundred women’s studies degree programs and research centers in seventy countries. Using cartography software including ArcGIS and StoryMaps, this component offers a broader perspective on the field’s distribution than has previously been documented in the scholarly literature, revealing new insights about how women’s studies has grown and contracted as a result of shifting geopolitical trends. Chapter Two examines several examples of collaborative autobiographic writing to show how variously situated authors construct particular narratives about this field. Drawing on the concept of political grammar, this section demonstrates how edited collections about the founding of women’s studies and articles about cross-border collaborations use credentializing and contextualizing discourse in contrast with ideas of development and colleagueship. Chapter Three discusses three international institutes that grew from the University of Maryland’s Curriculum Transformation Project using archival research and oral histories. Involving academic feminist scholars from China, South Korea, the Caribbean, South Africa, Israel, and Hungary, this case study of international exchange demonstrates the complexity of enacting women’s studies across difference. The dissertation concludes with recommendations for how practitioners in the United States might better enact ethical collaborative relationships with colleagues and institutions situated in other national, cultural, and linguistic contexts. Rather than viewing U.S. women’s studies as a blueprint than can be exported and applied elsewhere, this study concludes by arguing for mutual accountability, centering connections across the Global South, and sharing resources as strategies for building effective coalitions that will nurture the field moving forward.