Theses and Dissertations from UMD

Permanent URI for this communityhttp://hdl.handle.net/1903/2

New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a give thesis/dissertation in DRUM

More information is available at Theses and Dissertations at University of Maryland Libraries.

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    Class Numbers of Real Cyclotomic Fields of Conductor pq
    (2009) Agathocleous, Eleni; Washington, Lawrence; Mathematics; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    The class numbers h+ of the real cyclotomic fields are very hard to compute. Methods based on discriminant bounds become useless as the conductor of the field grows and that is why other methods have been developed, which approach the problem from different angles. In this thesis we extend a method of Schoof that was designed for real cyclotomic fields of prime conductor to real cyclotomic fields of conductor equal to the product of two distinct odd primes. Our method calculates the index of a specific group of cyclotomic units in the full group of units of the field. This index has h+ as a factor. We then remove from the index the extra factor that does not come from h+ and so we have the order of h+. We apply our method to real cyclotomic fields of conductor < 2000 and we test the divisibility of h+ by all primes < 10000. Finally, we calculate the full order of the l-part of h+ for all odd primes l < 10000.
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    VISION OF EQUINOX FOR ORCHESTRA
    (2005-12-01) Chiba, Maiko; Gibson, Robert; Music; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    The artistic play of light seen on a pyramid in some Mayan ruins located in Cancun, Mexico provided the inspiration for Vision of Equinox. On both the spring and autumn equinox days, the sunlight projected on the pyramid forms a shape which looks like a serpent moving on the stairway of the pyramid. Vision of Equinox was composed with an image of light as the model for the artistic transfiguration of sound. The light image of sound changes its shape in each stage of the piece, using the orchestra in different ways - sometimes like a chamber ensemble, sometimes like one big instrument. The image of light casting on a pyramid is expressed by descending melodic lines that can be heard several times in the piece. At the final climax of the work, a complete and embodied artistic figure is formed and stated, expressing the appearance of the Mayan god Quetzalcoatl, the serpent, in my own imagination. The light and shadow which comprise this pyramid art are treated as two contrasting elements in my composition and become the two main motives in this piece. To express these two contrasting elements, I picked the numbers "5" and "2," and used them as "key numbers" in this piece. As a result, the intervals of a fifth and a second (sometimes inverted as a seventh) are the two main intervals used in the structure. The interval of a fifth was taken into account for the construction of the pyramid, which has five points of contact. The interval of a second was selected as a contrasting sonority to the fifth. Further, the numbers "5" and "2" are used as the number of notes which form the main motives in this piece; quintuplets are used throughout this piece, and the short motive made by two sixteenth notes is used as one of the main motives in this piece. Moreover, the shape of the pyramid provided a concept of symmetry, which is expressed by the setting of a central point of the music (pitch center) as well as the use of retrograde and inversion in this piece.