Theses and Dissertations from UMD

Permanent URI for this communityhttp://hdl.handle.net/1903/2

New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a give thesis/dissertation in DRUM

More information is available at Theses and Dissertations at University of Maryland Libraries.

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2017 - 20182

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    The Crown: Paradise Reclaimed
    (2018) Basch, Rebecca; Keener, Cy; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    The story of my life and the story of my art are intrinsically connected. Through a personally authored story, that I identified as possessing the universal framework of the monomyth (as identified by Joseph Campbell), I became interested in the universal tendencies of humankind. My work synthesizes disparate topics into a new narrative space where parallels are drawn between the personal, extrapersonal, and the universal. In the project The Crown: Paradise Reclaimed, the quest for the ultimate boon, is examined through the stories of myself and others and centers around three locations: Baltimore, Utah, and Iceland.
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    Waking Darkness. Waiting Light.
    (2017) Reeves, Matthew Walker; Phillips, Miriam; Dance; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    Waking Darkness. Waiting Light. was an evening-length dance/multimedia event performed October 7-9, 2016 at the Clarice Smith Performing Arts Center. Conceived and created collaboratively with Colette Krogol in partial fulfillment of the Master of Fine Arts degree from the School of Theatre, Dance, and Performance Studies, the work evolved from individual research that wove together into one seamless performance. Using the choreographic elements of weight, time, light, and darkness, the work explored the action of transformation and intersections of dance, dream, and mythology. This thesis documents the research and creative process to make Waking Darkness. Waiting Light. The Monomyth Theory of comparative mythologist Joseph Campbell played a pivotal role in the research, laying a foundation for new methods of listening for universal mythic elements within a personal journey. Additionally this paper explores perspectives on how mythmaking and dance-making are similar in process, and the influence this perspective has on choreography.