Theses and Dissertations from UMD

Permanent URI for this communityhttp://hdl.handle.net/1903/2

New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a give thesis/dissertation in DRUM

More information is available at Theses and Dissertations at University of Maryland Libraries.

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    A Transformative Olympic Village: The Washington 2024 Post-Games Legacy
    (2016) Schroeder, Evan` Michael; Tilghman, James; Architecture; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    This thesis explores the Modern Olympic Games to strategically design an Olympic Village for Washington D.C. that plans not just to house athletes, but to provide a vision for the post-Games city. Through discovery of the spirit and meaning behind one of the world’s biggest events and analysis of various post-Games Villages, the proposed Olympic Village will innovate the future of Washington D.C.’s Southeast region. Study of existing mixed-use architecture, urban planning, and adaptation will help formulate an Olympic Village design. It is the intention that the Olympic Village, much like its athletes, will emulate the Olympic motto “Citius, Altius, Fortius,” meaning “Faster, Higher, Stronger.” The objective is to establish a village that allows for a faster turnaround in post-Olympic design, utilizes higher standards, and uses stronger applications to building a more sustainable city.
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    Performance of Objects
    (2011) Burrowes, Jesse Harris; Ruppert, John; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    This thesis is about the nature of objects and the interaction of bodies with their extensions and remnants. The residual evidence contained within an object, of and from interactions with living things, is an inanimate performance the suggestions of activity within stillness. As part of the hunt for gestures and moments, all things that I bring into the studio are simultaneously objectified and translated into narratives. In turn these transformative processes embody both a non-fiction of their history and origin, and the fiction of assemblage. Words are at the root of my sculptural works, the physical materials are sought through the necessities of the articulation of thoughts. The found objects are in one way or another facts, and the combinations, compositions and manipulations become a fiction. The performance of objects, the tolerances of materials and bodies, generates a story that is the content of this work.