Theses and Dissertations from UMD

Permanent URI for this communityhttp://hdl.handle.net/1903/2

New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a give thesis/dissertation in DRUM

More information is available at Theses and Dissertations at University of Maryland Libraries.

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    “I, TOO, AM AMERICA”: HAMILTON, AN AMERICAN MUSICAL
    (2017) Ridley, Leticia Lashell; Carpenter, Faedra C; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    “I, Too, Am America” is a critical study of Lin-Manuel Miranda’s musical phenomenon Hamilton (2015), which is currently running on Broadway at the Richard Rodgers Theatre in New York. Through my scholarly analysis of Hamilton (that is, through a dramaturgical examination of the musical’s book and lyrics, embodied performance, production characteristics, casting practices, and public reception—among other elements), this thesis explores the overarching question: How does Hamilton wield the body of its performers to interrogate, disrupt, and reconfigure dominant narratives of American history and identity? Specifically, how does Miranda’s musical interrogate the way power is ascribed and/or re-inscribed through representations of race, gender, and nationhood? By engaging with Hamilton as a relevant and immediate historical artifact, this interdisciplinary thesis examines the ways in which Hamilton interrogates and artfully challenges the cultural power whiteness has in erroneously defining the parameters of American identity.
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    Methods of Making
    (2007-05-15) Lock, Benjamin Christopher; Ruppert, John; Art; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)
    I am drawn to tools, their applications, and the way things work. The action and process of manipulating and transforming material to create formal visual statements is vital to my sculpture. I utilize and respond to material and process, allowing for the work to develop through its creation. Relationships of form and space interest me. Not only do I find beauty in material, it also exists in the tension and the power of a space within or between forms. These interactions in my work help formulate the visual language through which the metaphor is present. I hope to capture and express a sensibility to which one can relate. This thesis will further discuss the manner in which I make sculpture. It will be a compliment to the artwork and an attempt to put to words the conceptual basis for the forms I create and the spaces they compose.