Theses and Dissertations from UMD
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New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a give thesis/dissertation in DRUM
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Item A New Race of Christians: Slavery and the Cultural Politics of Conversion in the Atlantic World(2020) Fischer, Matthias; Brewer, Holly; History; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation is intended to fill a significant gap in the scholarship on slavery, race, and religion in the early modern Atlantic. Restoring a longue durée approach to the study of colonial history, it argues that there was a long, broad, and vibrant debate over the legitimacy of slavery and race. A central analytical tenet of this work is that religion and race were concepts linked from the early decades of colonization and developed in conjunction with one another. Enslavement predicated on heathenism brought baptism in particular to the center of the debate over whether African slaves could become free by adopting Christianity. Heathenism was central to early justifications of African slavery in the plantation colonies of the New World, and it also played a fundamental role in the construction, contestation, and articulation of racial categories, even if Christianity remained an important marker of colonial identity and social belonging.While the accommodation between the clergy and governors, planters, vestries, and colonial assemblies often conflated Christianity’s moral obligations with colonial self‐interest, religion and religious ideas also helped to challenge and undermine hierarchies based on race. Whether they were Jesuit priests, Anglican ministers, Quaker clerics, or Moravian evangelicals, missionaries of all backgrounds were able to provide a measure of spiritual and material relief to men and women who experienced human, material, and cultural deprivation on a massive scale. In these ways, enslaved and free people of African descent ascribed new meaning to Christianity that transcended narrow European definitions, challenging emergent notions of racial difference. Linking intellectual processes with social and political practices and institutions, this study attempts to resituate the Caribbean as foundational to the creation of a modern consciousness.Item City of Grace: Power, Performance, and Bodies in Colonial South Carolina(2014) Shifflett, Matthew; Nathans, Heather S.; Theatre; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Colonial Charles Town, South Carolina, was widely reputed to be one of the most refined and genteel cities in the early British Empire. As its planters and merchants grew rich from the overseas rice trade, they sought to embody their new elite status by learning the courtly styles of European social dancing, using dances such as the minuet to cultivate a sense of physical "grace." This sense of grace allowed them to construct cosmopolitan identities and differentiate a social order that consolidated their power over the colony. Meanwhile, other social factions, such as the colony's large slave majority and the emerging class of middling tradesmen, sought their own share in controlling the vocabulary through which bodies might mean. "City of Grace: Power, Performance, and Bodies in Colonial South Carolina" puts colonial Charles Town's "bodies" into conversation in order to highlight how bodily behaviors such as dancing, posture, and comportment could organize power relations in an eighteenth-century British colony. This dissertation considers in turn the part that four groups played in the conflict over the values assigned to Charles Town's bodies: the wealthy elites who sought to use "grace" as a means to proclaim and ensure their status, the dancing masters who sought to capitalize on the elites' need for training, the African slaves whose syncretized performances of their own ethnically-specific dances troubled elite ideals of a graceful "white" body, and the emerging cohort of middling tradespeople and evangelical believers who critiqued the pretensions of elite manners. By using sources such as dancing manuals, paintings, and private letters, I put the colonial body back "on its feet," in order to understand the kinesthetic qualities of movement itself as a site for creating and transmitting meaning. Within this framework, I suggest that genteel grace was a strategy by which eighteenth-century elites sought to perform class status without betraying the artificiality of the performance.Item Writing at the Edge of the Empire: The Poetics of Piracy in the Early Modern Atlantic World(2012) Payton, Jason M.; Bauer, Ralph; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)My dissertation examines four pirate-authored texts from the early modern period, each of which centers on the development of piracy in the Atlantic world. Contrary to popular opinion, not all pirates were illiterate thugs. Many wrote about their experiences, and their narratives were immensely popular among early modern readers. I focus on the generic choices pirate-authors made as they crafted their narratives for popular consumption, particularly their use of chivalric romance, which they drew on to present "enchanted" histories of the Atlantic world. By representing themselves as chivalric knights-errant, pirate-authors transformed themselves from thieves to gallant knights, they recast their raids as knightly quests, and they re-imagined their gruesome acts of violence as heroic feats of daring at arms. The romance form thus allowed pirate-authors to create modern spaces of agency within empire that resembled the mythical landscapes of the medieval chivalric tradition. It also allowed them to fashion critiques of empire, which increasingly limited the social mobility of the lower classes from which most pirates hailed. Pirates' reflections on the violence of empire offer a disenchanting picture of the development of imperialism during the colonial American period. My dissertation begins with Sir Walter Raleigh's 1596 Discovery of Guiana, which narrates the author's voyage to Guiana simultaneously as a knightly quest for the mythical city of El Dorado and as a mercantilist voyage for England. Raleigh was met with severe criticism for his decision to frame the history of his voyage as a romance quest because the notion of the adventure-quest celebrated the freedom of the individual apart from the power of the state. The conflict between the interests of the pirate-as- knight-errant and the aims of the state became even more pronounced during the seventeenth century. I trace the evolution this conflict in three narratives written by Caribbean pirates--also known as buccaneers--during the late seventeenth century: Alexander Oliver Exquemelin's 1678 Buccaneers of America, Raveneau de Lussan's 1689 Journal of a Voyage Made into the South Sea, and William Dampier's 1697 New Voyage Round the World. Whereas Raleigh could envision his adventure-quest as part of a larger narrative of English imperial expansion, buccaneer authors understood piracy as a utopian escape from the hegemony of empire. For Exqmemelin and de Lussan, piracy represents an alternative to their lives as servants. The chivalric ethos that Exquemelin and de Lussan projected onto pirate society allows them to level a devastating critique of the debasing nature of empire. For Dampier, representing his circumnavigation of the globe as the adventure-quest of a troupe of knights-errant allows him to imagine a global space in which pirates could create a society completely free from constraints of imperial governance. Ultimately, my dissertation demonstrates that the most unlikely band of literati in the Atlantic world made significant contributions to the development of American literary forms. By adopting the Old World form of the chivalric romance to New World contexts, pirate-authors created spaces of individual agency at the edge of the imperial domain, which allowed them to offer sharp critiques of the systems of exploitation and subjugation that structured imperial culture. The narratives I treat here reveal that the history of early America cannot simply be told as the history of states and empires. Rather, my research shows that early American scholars must broaden their disciplinary horizons to include the literary contributions of trans-national, trans-Atlantic subjects whose lives at the edge of empire allowed them to pursue lives of political transgression and fashion narratives that challenged progressivist narratives of imperial history.