Browsing by Author "Marsh, Diana E."

Now showing 1 - 5 of 5
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    Access Policies for Native American Archival Materials in the National Anthropological Archives, Smithsonian Institution
    (Society of American Archivists, 2020-10) Marsh, Diana E.; Leopold, Robert; Crowe, Katherine; Madison, Katherine S.
    This case study contributes to the history of collections access protocols by examining one repository’s policies and practices over a fifty-year period— those of the National Anthropological Archives at the Smithsonian Institution’s National Museum of Natural History. It describes a series of archival programs and projects that occurred before, during, and after the development of the Protocols for Native American Archival Materials in order to view changes in the archives’ access policies within a broader cultural and institutional milieu, presenting a more complex narrative than previously available. The case study assesses the influence of the Protocols as well as some challenges to the adoption of several recommendations. Finally, we make several proposals for archival repositories with comparable collections and constituencies.
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    Gathering Voices: Thomas Jefferson and Native America
    (American Philosophical Society News, 2016-07) Mason, Merrill; Marsh, Diana E.
    This spring, the American philosophical society opened its third in a series of exhi- bitions on Thomas Jefferson. Gathering Voices: Thomas Jefferson and Native America explores Jefferson’s effort to collect native languages and its legacy at the APS.There are a num- ber of “firsts”in Gathering Voices. it marks the first time the Aps Museum has displayed one of the Library’s largest collections—the papers, photographs, and audio recordings from some 270 native American and indigenous cultures. it is also the first time the Museum invited two native advisors— Margaret Bruchac (Abenaki) and richard hill, sr. (Tuscarora)—to work with our museum team.Thanks to the newly founded Center for native American and indigenous research (CNAIR), the exhibition piloted a consultative process with native communities whose materials are featured in Gathering Voices. The show also includes some of the Museum’s most extensive multimedia features, including an animated map projection, two interactive touch-screen stations, and audio recordings. The resulting exhibition reflects the close partnerships among the Aps Museum and Library and native American communities.
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    Reviving anthropology's past: Digital archival access and ethical collaboration with Indigenous communities
    (Wiley, 2023-12-19) Sorensen, Amanda H.; Lee, Samantha; Marsh, Diana E.; Fenlon, Katrina; Punzalan, Ricardo L.
    This article outlines the revitalization of the Council for the Preservation of Anthropological Records (CoPAR) to adapt to the changing dynamics of archival data reuse in anthropology. It begins by examining the prevailing discourse on anthropological data, archives and their reuse, then explores interdisciplinary data curation trends. Recent initiatives include collaborations with Wikipedia and Wikidata and innovative design strategies to improve access to anthropological archives. The article also discusses the ethical and logistical challenges faced during this transformation. The overarching vision presented is to position CoPAR as a central hub that connects archivists, anthropologists and Indigenous communities, ensuring streamlined and ethical access to anthropological records in the digital realm.
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    Silver Horn’s Winter Count: An Archival Record of Indigenous Time Featured in a Smithsonian Exhibition
    (Smithsonian Collections Blog, 2020-05-18) Marsh, Diana E.; Greene, Candace; Myers, Elena
    Documenting Diversity: How Anthropologists Record Human Life is an exhibit showcasing the history of anthropological fieldwork through rare archival and print materials from the National Anthropological Archives and the Smithsonian Libraries. The show traces the progress of technologies used to record human life, from paper to film to today’s digital media. The exhibit also grapples with the limits of such documents. Some ethnographic “data” resist documentation. It may be hard to record, or Indigenous community members may not choose to share it (especially with white anthropologists collecting it). But a rare document in the exhibition is an exquisite piece in the hand of master illustrator Silver Horn, or Haungooah. Silver Horn was a Kiowa artist distinguished for his prolific career and intricate drawing style.
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    Toward Inclusive Reading Rooms: Recommendations for Decolonizing Practices and Welcoming Indigenous Researchers
    (2021-01-26) Buchanan, Rose; George, Keau; Gibson, Taylor; Hung, Eric; Labinsky, Daria; Marsh, Diana E.; Menyuk, Rachel; Norton-Wisla, Lotus; Ortego-Chiolero, Selena; Sowry, Nathan; Tyndall, Monique
    The article, based on a discussion between the Native American Archives Section (NAAS) and the Human Rights Archives Section (HRAS) at the Society of American Archivists' Annual Meeting, discusses the current culture of archival reading rooms and how to start the process of decolonizing them. It begins with examples of institutional archives that have introduced culturally-responsive practices for their Native users as well as, and provides recommendations for institutions to continue fostering welcoming environments. It fills an important gap in current archival literature around decolonizing methodologies and practices in institutions, which has largely ignored the arcane colonial practices and spaces through which Native and Indigenous (and many BIPOC) researchers physically gain access to their heritage collections.