The Home We Can Never Leave
| dc.contributor.advisor | Keener, Cy | en_US |
| dc.contributor.author | Richardson-Deppe, Charlotte R | en_US |
| dc.contributor.department | Art | en_US |
| dc.contributor.publisher | Digital Repository at the University of Maryland | en_US |
| dc.contributor.publisher | University of Maryland (College Park, Md.) | en_US |
| dc.date.accessioned | 2023-10-06T05:43:05Z | |
| dc.date.available | 2023-10-06T05:43:05Z | |
| dc.date.issued | 2023 | en_US |
| dc.description.abstract | Growing up, I performed aerial arts in a circus. In the circus, a web of interdependence keeps you off the ground—the tightness of your grip, the strength of your friend holding you up, the trust in an apparatus to hold your weight. In my own body now, I feel the residual stretch, tension, and ache the circus left in me—remnants of bodies pushing through pain, defying gravity to hold one another up. Via soft sculpture and performance, I negotiate the body as a site of both liberating autonomy and confining oppression. | en_US |
| dc.identifier | https://doi.org/10.13016/dspace/rmn7-ejcj | |
| dc.identifier.uri | http://hdl.handle.net/1903/30765 | |
| dc.language.iso | en | en_US |
| dc.subject.pqcontrolled | Fine arts | en_US |
| dc.subject.pquncontrolled | art | en_US |
| dc.subject.pquncontrolled | circus | en_US |
| dc.subject.pquncontrolled | gender | en_US |
| dc.subject.pquncontrolled | performance | en_US |
| dc.subject.pquncontrolled | soft sculpture | en_US |
| dc.title | The Home We Can Never Leave | en_US |
| dc.type | Thesis | en_US |
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