dc.contributor.advisor	Plante, Jacqueline
dc.contributor.author	Kelley-Chung, Kian
dc.contributor.department	English	en_US
dc.date.accessioned	2017-02-15T19:06:16Z
dc.date.available	2017-02-15T19:06:16Z
dc.date.issued	2017-02-15
dc.description.abstract	This is a research paper I did in my poetry class last semester that legitimizes the poetic aspect of hip hop by exploring its cultural roots and comparing it to jazz accompanied poetry.	en_US
dc.identifier	https://doi.org/10.13016/M2926D
dc.identifier.uri	http://hdl.handle.net/1903/19160
dc.language.iso	en_US	en_US
dc.relation.isAvailableAt	Digital Repository at the University of Maryland
dc.relation.isAvailableAt	University of Maryland (College Park, Md)
dc.subject	hip hop	en_US
dc.subject	poetry	en_US
dc.subject	oral poetry	en_US
dc.subject	amiri baraka	en_US
dc.subject	kendrick lamar	en_US
dc.title	From the Gutter, Not the Garbage: Why Hip Hop is a Legitimate Oral Poetic Form	en_US
dc.type	Research Paper	en_US

From the Gutter, Not the Garbage: Why Hip Hop is a Legitimate Oral Poetic Form

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