X Y Z CHAMBER MUSIC COMPOSITION FOR VIOLIN, VIOLONCELLO, DOUBLE BASS, MARIMBA, AND PERCUSSION

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dc.contributor.advisorDeLio, Thomasen_US
dc.contributor.authorDavis, Joshua Clintonen_US
dc.contributor.departmentMusicen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2007-06-28T05:30:07Z
dc.date.available2007-06-28T05:30:07Z
dc.date.issued2007-06-13
dc.description.abstractThis work features multiple meters sounding simultaneously and a harmonic scheme limited to four four-part interval collections. Each of the four interval collections sounds alone for severaL phrases before moving to another collection and before later sounding simultaneously with another collection. The pitch content of each interval collections is a major triad joined by one non-triadic pitch. The index of interval content for each of the four harmonic collections governs consistency throughout the work. A detailed formal scheme of the entire work outlining harmony, meter, and density of melodic activity was created before specific pitches and rhythms were composed. This scheme balanced the sequence of harmony, meter, and melodic density with varying levels of change that reflect duration considerations inspired by Fibonnacci's Golden Ratio.en_US
dc.format.extent768702 bytes
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/1903/7032
dc.language.isoen_US
dc.subject.pqcontrolledMusicen_US
dc.subject.pquncontrolledchamber music violinen_US
dc.subject.pquncontrolledchamber music violoncelloen_US
dc.subject.pquncontrolledchamber music double bassen_US
dc.subject.pquncontrolledchamber music marimbaen_US
dc.subject.pquncontrolledchamber music percussionen_US
dc.titleX Y Z CHAMBER MUSIC COMPOSITION FOR VIOLIN, VIOLONCELLO, DOUBLE BASS, MARIMBA, AND PERCUSSIONen_US
dc.typeDissertationen_US

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