On Leaning To Play The Piano With A Hammer

dc.contributor.advisorPlumly, Stanleyen_US
dc.contributor.authorFoster, Mary Katherineen_US
dc.contributor.departmentCreative Writingen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2015-06-27T05:37:14Z
dc.date.available2015-06-27T05:37:14Z
dc.date.issued2015en_US
dc.description.abstractBy way of a libretto, these poems follow a singular speaker who figures herself within the simultaneous growth, passion, violence, and destruction inherent in the art, mythology, archetypes, dreams, and natural phenomena that she encounters, as a means of negotiating forms of grief and loss. For her, realities of sleep, memory, language, and consciousness regularly collide and threaten to eclipse or ruin one another, from which follows her interest in the unities of musical compositions, Latin language roots, and the structure of storyscapes.en_US
dc.identifierhttps://doi.org/10.13016/M2FC9W
dc.identifier.urihttp://hdl.handle.net/1903/16732
dc.language.isoenen_US
dc.subject.pqcontrolledFine artsen_US
dc.titleOn Leaning To Play The Piano With A Hammeren_US
dc.typeThesisen_US

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