dc.contributor.advisor	Richardson, W C	en_US
dc.contributor.author	Klos, Matthew	en_US
dc.contributor.department	Art	en_US
dc.date.accessioned	2004-06-04T05:47:20Z
dc.date.available	2004-06-04T05:47:20Z
dc.date.issued	2004-05-11	en_US
dc.description.abstract	In my paintings, I strive for a delicate balance between the objects considered and the conspicuous mark. These paintings stir the imagination to encounter a physical space, yet defy complete illusionary abandon through the visceral surface of paint. The brushwork breathes life into the mechanical calculation of the work in process. A successful painting upon completion is a mimetic vision of the spaces via scraped, sprayed, broadly brushed, and tightly interwoven areas of paint. I strive for a humble and honest representation, an essential vision that is defined by the choice of subject, palette, painted mark, and the history of human error as it attempts a calculated process. This essential vision translates tone, shape, and highlight. These paintings exhibit calculated craftsmanship, yet the decisions they embody speak of anti-heroic doubt that attempts to capture the ethereal beauty inherent in the visible.	en_US
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dc.format.mimetype	application/pdf
dc.format.mimetype	image/jpeg
dc.format.mimetype	image/jpeg
dc.format.mimetype	image/jpeg
dc.format.mimetype	image/jpeg
dc.format.mimetype	image/jpeg
dc.identifier.uri	http://hdl.handle.net/1903/1472
dc.language.iso	en_US
dc.relation.isAvailableAt	Digital Repository at the University of Maryland	en_US
dc.relation.isAvailableAt	University of Maryland (College Park, Md.)	en_US
dc.subject.pqcontrolled	Fine Arts	en_US
dc.title	White Paintings	en_US
dc.type	Thesis	en_US

White Paintings

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