's (apostrophe s)

dc.contributor.advisorPearson, Saraen_US
dc.contributor.authorStone, Shawn Trumanen_US
dc.contributor.departmentDanceen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2019-09-27T05:31:03Z
dc.date.available2019-09-27T05:31:03Z
dc.date.issued2019en_US
dc.description.abstractThrough the writing of this thesis I define and explain ‘s (apostrophe s) as a contemplative dance engaging in a multi-disciplinary approach. In order to better understand what defines dance and art as contemplative, I will use comparative literature regarding the work of other dance artists whose work can or has been described as such. I will also utilize the research and knowledge of scholars and practitioners of contemplative practice to refine and demonstrate this definition. Next, I will unpack ‘s (apostrophe s) as a richly layered contemplative movement artwork based in the practice of embodied navigation integrating with the discipline of visual art. Finally, in utilizing ‘s (apostrophe s) as the research, I will demonstrate how the use of multi-disciplinary creative work can also be understood as inner-disciplinary work and that creative process can be realized as transformative practice.en_US
dc.identifierhttps://doi.org/10.13016/qpln-s1yq
dc.identifier.urihttp://hdl.handle.net/1903/24974
dc.language.isoenen_US
dc.subject.pqcontrolledDanceen_US
dc.subject.pqcontrolledPerforming artsen_US
dc.subject.pqcontrolledFine artsen_US
dc.subject.pquncontrolledChoreographyen_US
dc.subject.pquncontrolledContemplative Practiceen_US
dc.subject.pquncontrolledDanceen_US
dc.subject.pquncontrolledMeditationen_US
dc.subject.pquncontrolledMovement Arten_US
dc.subject.pquncontrolledVisual Arten_US
dc.title's (apostrophe s)en_US
dc.typeThesisen_US

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