A Survey of Solo Repertoire for Cornet

dc.contributor.advisorGekker, Chrisen_US
dc.contributor.authorCunningham, Stevenen_US
dc.contributor.departmentMusicen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2017-06-22T05:43:02Z
dc.date.available2017-06-22T05:43:02Z
dc.date.issued2017en_US
dc.description.abstractThe cornet is a brass instrument that has impacted large facets of musical repertoire, brass instrument design and brass pedagogy. The trumpet eventually became the primary soprano brass instrument of choice because of projection and brilliance. Cornets are now featured in British-style Brass Bands and by select classical and jazz soloists. The ‘cornet a pistons’ was integrated into symphonic writing in the early nineteenth century. With the invention of the valves in 1815, this instrument was able to play chromatically. Cornets were able to change keys quickly within symphonic pieces while natural trumpets had to change crooks to match the key. My dissertation focuses on cornet solo repertoire in different eras of musical history. The recitals are organized by specific movements in musical eras. The first recital focused on the early New Orleans style of jazz cornet. The second recital focused on the use of the cornet in hard-bop and post-bop. The final recital focused on American and European classical pieces for cornet and piano.en_US
dc.identifierhttps://doi.org/10.13016/M2BZ9T
dc.identifier.urihttp://hdl.handle.net/1903/19311
dc.language.isoenen_US
dc.rightsNOTICE: Recordings accompanying this record are available only to University of Maryland College Park faculty, staff, and students and cannot be reproduced, copied, distributed or performed publicly by any means without prior permission of the copyright holder.
dc.subject.pqcontrolledMusicen_US
dc.subject.pquncontrolledcorneten_US
dc.titleA Survey of Solo Repertoire for Corneten_US
dc.typeDissertationen_US

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