Remembering Bailey, Space, and A Whole Lotta Movement(s) in Michelle Tyrene Johnson's The Green Duck Lounge

dc.contributor.advisorBlanco Borelli, Melissaen_US
dc.contributor.authorMoore, Zahria Imanien_US
dc.contributor.departmentTheatreen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2021-09-16T05:34:59Z
dc.date.available2021-09-16T05:34:59Z
dc.date.issued2021en_US
dc.description.abstract“Remembering Bailey, Space, and a Whole Lotta Movement(s) in Michelle Tyrene Johnson’s The Green Duck Lounge” is a critical study of Michelle Tyrene Johnson’s stage play, The Green Duck Lounge, and the premiere production in February 2018 at the University of Missouri. Through my scholarly analysis of the stage play (that is, through a dramatic analysis of the script, two oral histories, and an embodied written reflection remembering the premiere performance), this thesis explores the overarching question: How does Green Duck utilize Black feminist orality to theatrically emphasize Black women’s contributions to contemporary movements like the people for #BlackLivesMatter? By engaging Green Duck as a commemorative project, this thesis examines the ways in which Green Duck challenges how we remember Black resistance by telling history using a Black woman’s body (that is, Bailey).en_US
dc.identifierhttps://doi.org/10.13016/i6zf-3jnh
dc.identifier.urihttp://hdl.handle.net/1903/27731
dc.language.isoenen_US
dc.subject.pqcontrolledTheateren_US
dc.subject.pqcontrolledEnglish literatureen_US
dc.subject.pqcontrolledBlack historyen_US
dc.titleRemembering Bailey, Space, and A Whole Lotta Movement(s) in Michelle Tyrene Johnson's The Green Duck Loungeen_US
dc.typeThesisen_US

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