RESPONSIVE WILD: REDISCOVERING, REDEFINING, AND REALIGNING

Abstract

The central question of, what is womanhood? anchors this work. Within that wondering and examination is research into feminism, in conversation with rock and roll and 1980s MTV, gender studies, queer studies, and dance studies. The interrogation of MTV as a superstructure for notions of White femininity operates as a site of exploration for the White heterosexual male gaze. This extends into a rediscovery of rock and roll history, and the Black and Queer women (also considered by this work as ‘original’ feminists) who laid a foundation for rock and roll’s future. Through choreographic practice and Queer methodology, questions of womanhood and femininity, Queerness, and feminism, are explored through movement. Memory, lived bodily experiences, community, and the sensations and desires connected to them, are centered in this creative process. Queer and feminist writers accompany this journey; rock and roll functions as a canvas for the exploration of ferocious and mammoth movement; metaphors of physics facilitate the choreographic research into identity as it shifts and navigates fluidity and transformation. Each of these ideas swirl, collide, and manifest through choreographed movement and writing; leading to a new and realigned question: What is Queer Womanhood?