AN EXPLORATION OF THE SELECTED PIANO MUSIC OF FREDERIC CHOPIN AND ALEXANDER SCRIABIN

Abstract

This dissertation is grounded in three recitals, each featuring works by Frederic Chopin (1810-1849) and Alexander Scriabin (1872-1915). Scriabin, as a devoted follower of Chopin’s aesthetic ideals, filled his early and middle-period works with abundant Chopinesque idioms. However, as will be discussed later, even in his juvenile compositions – beneath the surface of apparent imitation – we can discern flashes of his innate genius. These intuitive musical instincts would later evolve into systematic and substantial innovations during his mature period.

Both composers excelled in crafting concise, impactful genres such as preludes, nocturnes, etudes, and mazurkas – all of which were included in the dissertation. Beyond their mastery of smaller forms, both composers also demonstrated remarkable command over large-scale works. Two fantasies and two concertos were chosen as primary subjects to perform and research. To better illustrate the relationship, repertoires are chosen from Scriabin's early to mid-period, as they remain stylistically Romantic and has strong resemblance to Chopin's aesthetic tastes.