WHAT IS REAL AND WHAT IS TRUE: DESIGNING COSTUMES FOR DANIEL CATÁN’S FLORENCIA EN EL AMAZONAS

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dc.contributor.advisorHuang, Helen Qen_US
dc.contributor.authorVon Ruden, Cody Conraden_US
dc.contributor.departmentTheatreen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2024-06-28T05:46:59Z
dc.date.available2024-06-28T05:46:59Z
dc.date.issued2024en_US
dc.description.abstractIn this document is a description of the process of conceiving and implementing the costume designs for Maryland Opera Studio’s production of Florencia en el Amazonas by Daniel Catán. A fantastical operatic journey inspired by the writings of Gabriel Garcia Márquez. The production was set on a steamboat sailing down the Amazon River at the turn of the century. Contained within this thesis are the original concept designs and final product, including research, renderings, fitting photos, production photos, and supplemental paperwork. This show was produced by Maryland Opera Studio April 13 – 21, 2024. The opera was directed by Corinne Hayes, Scenic Design by August Henney, Lighting Design by Scott J. Monnin, Media Design by Jerran Kowalski, Wigs and Makeup by Priscilla Bruce, and Costume Design by Cody Von Rudenen_US
dc.identifierhttps://doi.org/10.13016/5ob9-ngaq
dc.identifier.urihttp://hdl.handle.net/1903/32804
dc.language.isoenen_US
dc.subject.pqcontrolledDesignen_US
dc.subject.pquncontrolledCostumeen_US
dc.subject.pquncontrolledEdwardianen_US
dc.subject.pquncontrolledFantasyen_US
dc.subject.pquncontrolledFlorenciaen_US
dc.subject.pquncontrolledImaginaryen_US
dc.subject.pquncontrolledTheatreen_US
dc.titleWHAT IS REAL AND WHAT IS TRUE: DESIGNING COSTUMES FOR DANIEL CATÁN’S FLORENCIA EN EL AMAZONASen_US
dc.typeThesisen_US

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