Tolkien's Two Faces of War: Paradox and Parallel Structure in The Lord of the Rings and "The Homecoming of Beorhtnoth"

dc.contributor.advisorFlieger, Verlynen_US
dc.contributor.authorGrybauskas, Peteren_US
dc.contributor.departmentEnglish Language and Literatureen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2010-07-03T05:35:47Z
dc.date.available2010-07-03T05:35:47Z
dc.date.issued2010en_US
dc.description.abstractJ.R.R. Tolkien once referred to The Lord of the Rings as a "rather bitter, and very terrifying romance." This paper examines the paradoxical representation of Tolkien's war--one which is at once bitter and romantic--in The Lord of the Rings and the dramatic dialogue, "The Homecoming of Beorhtnoth Beorhthelm's Son." Structural comparison of the works suggests that Tídwald and Torhthelm, the two voices in opposition throughout "The Homecoming," in some sense continue their unending debate on the nature of war in Books III-VI of The Lord of the Rings. The structures of these works, defined by contrasting visions of war, reflect Tolkien's ongoing struggle to square the two incompatible strands. The tension between these two views of war is a crucial ingredient to Tolkien's work--and a struggle never tidily resolved.en_US
dc.identifier.urihttp://hdl.handle.net/1903/10460
dc.subject.pqcontrolledLiterature, Generalen_US
dc.subject.pquncontrolledHomecomingen_US
dc.subject.pquncontrolledRingsen_US
dc.subject.pquncontrolledTolkienen_US
dc.subject.pquncontrolledWaren_US
dc.titleTolkien's Two Faces of War: Paradox and Parallel Structure in The Lord of the Rings and "The Homecoming of Beorhtnoth"en_US
dc.typeThesisen_US

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