EXTRA-MUSICAL ELEMENTS IN SELECTED PIANO WORKS, 1874-1917

dc.contributor.advisorVolchok, Mikhail
dc.contributor.authorYoon, Sung Min
dc.contributor.departmentMusic
dc.contributor.publisherUniversity of Maryland (College Park, Md.)
dc.contributor.publisherDigital Repository at the University of Maryland
dc.date.accessioned2013-01-17T19:10:56Z
dc.date.available2013-01-17T19:10:56Z
dc.date.issued2012
dc.description.abstractAs a piano performer, I have experienced much pleasure in playing several Debussy preludes. During the performance, my imagination expanded in a pictorial way, creating special experiences. I felt as if I were on a canvas or portraying the imaginary scenes. I found myself attracted to piano pieces that reflect pictorial images or scenes, especially in works by Debussy, Ravel, Mussorgsky, and Rachmaninoff written during a certain period of time, 1874-1917. I also wanted to add this music to my repertoire, so I could perform it together as one category. It is interesting to me that musicians, writers and artists became very close and often influenced each other, especially during the 19th and early 20th centuries. Although their professions were different, they were able to understand and motivate each other by sharing their arts and thoughts. This dissertation includes the recordings of selected piano works by these four composers, all inspired by extra-musical elements. These recordings are archived in the Mitchelle Smith Performing Arts Library of the University of Maryland at College Park.en_US
dc.identifier.urihttp://hdl.handle.net/1903/13397
dc.language.isoen_USen_US
dc.rightsNOTICE: Recordings accompanying this record are available only to University of Maryland College Park faculty, staff, and students and cannot be reproduced, copied, distributed or performed publicly by any means without prior permission of the copyright holder.
dc.titleEXTRA-MUSICAL ELEMENTS IN SELECTED PIANO WORKS, 1874-1917en_US
dc.typeDissertationen_US

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