Her Gaze, Their Voice: an analysis of three documentaries by Yamina Benguigui, Alice Diop and Agnès Varda
dc.contributor.advisor | Eades, Caroline | en_US |
dc.contributor.author | Adle, Richard James | en_US |
dc.contributor.department | French Language and Literature | en_US |
dc.contributor.publisher | Digital Repository at the University of Maryland | en_US |
dc.contributor.publisher | University of Maryland (College Park, Md.) | en_US |
dc.date.accessioned | 2024-07-02T05:52:36Z | |
dc.date.available | 2024-07-02T05:52:36Z | |
dc.date.issued | 2024 | en_US |
dc.description.abstract | A stylistic analysis of three documentaries by Yamina Benguigui, Agnès Varda and Alice Diop: Mémoires d’immigrés : l’héritage maghrébin (Benguigui, 1997), Les Glaneurs et la glaneuse (Varda, 2000), and Nous (Diop, 2021). | en_US |
dc.identifier | https://doi.org/10.13016/bxjt-ousb | |
dc.identifier.uri | http://hdl.handle.net/1903/33079 | |
dc.language.iso | en | en_US |
dc.subject.pqcontrolled | French literature | en_US |
dc.subject.pqcontrolled | Cinematography | en_US |
dc.title | Her Gaze, Their Voice: an analysis of three documentaries by Yamina Benguigui, Alice Diop and Agnès Varda | en_US |
dc.type | Thesis | en_US |
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