Decadence, Decay and Divine Retribution: Reframing Don Giovanni Through Costume Design

dc.contributor.advisorHuang, Helenen_US
dc.contributor.authorJanney, Rebecca Anneen_US
dc.contributor.departmentTheatreen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2024-06-28T05:50:04Z
dc.date.available2024-06-28T05:50:04Z
dc.date.issued2024en_US
dc.description.abstractThis document describes the process of concepting, designing, and realizing the costume design for Wolfgang Amadeus Mozart and Lorenzo da Ponte’s opera, Don Giovanni. This iteration of the opera centered the principal women Donna Anna, Donna Elvira, and Zerlina in their quest for retribution against Don Giovanni for his sexual abuse of them. The production uses the 1780s as a period touchstone but manipulated modern asymmetry and Baroque color to create the dramatic world of the show. This thesis contains a record of the entire design process from early concept to completed production. This includes research, renderings, fitting photos, production photos, and paperwork. The show was produced by the Maryland Opera Studio between April 14th to April 23rd, 2023. This production was conducted by Craig Kier, directed by Corinne Hayes, scenic designed by Brandon Roak, lighting designed by Heather Reynolds, and costume designed by Becca Janney.en_US
dc.identifierhttps://doi.org/10.13016/xq7e-klir
dc.identifier.urihttp://hdl.handle.net/1903/32813
dc.language.isoenen_US
dc.subject.pqcontrolledPerforming artsen_US
dc.subject.pqcontrolledTheateren_US
dc.subject.pquncontrolledCostumeen_US
dc.subject.pquncontrolledDesignen_US
dc.subject.pquncontrolledGiovannien_US
dc.subject.pquncontrolledOperaen_US
dc.subject.pquncontrolledTheatreen_US
dc.titleDecadence, Decay and Divine Retribution: Reframing Don Giovanni Through Costume Designen_US
dc.typeThesisen_US

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