FATIH AKIN’S LOVE, DEATH, AND THE DEVIL TRILOGY: A TRIAD OF CROSS-CULTURAL TALES
| dc.contributor.advisor | Baer, Hester | en_US |
| dc.contributor.author | Trozenski, Abigail Margaret | en_US |
| dc.contributor.department | Germanic Language and Literature | en_US |
| dc.contributor.publisher | Digital Repository at the University of Maryland | en_US |
| dc.contributor.publisher | University of Maryland (College Park, Md.) | en_US |
| dc.date.accessioned | 2017-06-22T06:41:20Z | |
| dc.date.available | 2017-06-22T06:41:20Z | |
| dc.date.issued | 2017 | en_US |
| dc.description.abstract | Tracing Fatih Akin’s directorial oeuvre, this thesis focuses on Akin’s films Gegen die Wand (Head-On, 2004), Auf der anderen Seite (The Edge of Heaven, 2007), and The Cut (2014), which comprise the Love, Death, and the Devil trilogy. Emphasizing the tropes of mobility and language, I specifically trace the thematic and cinematic links between the films as they draw upon concepts of hybridity and migration. | en_US |
| dc.identifier | https://doi.org/10.13016/M2ZS1N | |
| dc.identifier.uri | http://hdl.handle.net/1903/19554 | |
| dc.language.iso | en | en_US |
| dc.subject.pqcontrolled | German literature | en_US |
| dc.subject.pquncontrolled | Fatih Akin | en_US |
| dc.subject.pquncontrolled | German Cinema | en_US |
| dc.subject.pquncontrolled | Turkish-German Cinema | en_US |
| dc.title | FATIH AKIN’S LOVE, DEATH, AND THE DEVIL TRILOGY: A TRIAD OF CROSS-CULTURAL TALES | en_US |
| dc.type | Thesis | en_US |
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