The Crown: Paradise Reclaimed
| dc.contributor.advisor | Keener, Cy | en_US |
| dc.contributor.author | Basch, Rebecca | en_US |
| dc.contributor.department | Art | en_US |
| dc.contributor.publisher | Digital Repository at the University of Maryland | en_US |
| dc.contributor.publisher | University of Maryland (College Park, Md.) | en_US |
| dc.date.accessioned | 2018-07-17T06:35:09Z | |
| dc.date.available | 2018-07-17T06:35:09Z | |
| dc.date.issued | 2018 | en_US |
| dc.description.abstract | The story of my life and the story of my art are intrinsically connected. Through a personally authored story, that I identified as possessing the universal framework of the monomyth (as identified by Joseph Campbell), I became interested in the universal tendencies of humankind. My work synthesizes disparate topics into a new narrative space where parallels are drawn between the personal, extrapersonal, and the universal. In the project The Crown: Paradise Reclaimed, the quest for the ultimate boon, is examined through the stories of myself and others and centers around three locations: Baltimore, Utah, and Iceland. | en_US |
| dc.identifier | https://doi.org/10.13016/M2MK65C1V | |
| dc.identifier.uri | http://hdl.handle.net/1903/21085 | |
| dc.language.iso | en | en_US |
| dc.subject.pqcontrolled | Fine arts | en_US |
| dc.subject.pquncontrolled | emigration | en_US |
| dc.subject.pquncontrolled | iceland | en_US |
| dc.subject.pquncontrolled | mythology | en_US |
| dc.subject.pquncontrolled | narrative | en_US |
| dc.subject.pquncontrolled | sculpture | en_US |
| dc.subject.pquncontrolled | tourism | en_US |
| dc.title | The Crown: Paradise Reclaimed | en_US |
| dc.type | Thesis | en_US |
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