LOST PATTERNS: AN INVESTIGATION INTO TRANSLATION

dc.contributor.advisorPearson, Saraen_US
dc.contributor.authorHill , Rebecca Ann Marieen_US
dc.contributor.departmentDanceen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2022-06-22T05:40:34Z
dc.date.available2022-06-22T05:40:34Z
dc.date.issued2022en_US
dc.description.abstractLost Patterns was an evening length concert performed March 11–13, 2022, at the Clarice Smith Performing Arts Center in partial fulfillment of the M.F.A. degree in Dance from the University of Maryland’s School of Theatre, Dance, and Performance Studies. Lost Patterns investigated the translation process inherent in Appalachian music and dance traditions to discover avenues of experimentation tethered to tradition. This percussive dance work highlighted the way the body, as an instrument, translates music. In collaboration with the cast, Lost Patterns excavated three different approaches to translation: melodic replication, improvisation, and sonic abstraction. These approaches invited multiple translations to occur simultaneously in the choreography and music, while acknowledging and honoring the dance lineages present within the performers. This paper is a written account of the creative process behind Lost Patterns, with ethnographic context and a historical framework for the dance traditions extrapolated within the work.en_US
dc.identifierhttps://doi.org/10.13016/uhln-8gwg
dc.identifier.urihttp://hdl.handle.net/1903/29019
dc.language.isoenen_US
dc.subject.pqcontrolledDanceen_US
dc.subject.pquncontrolledAppalachian Flatfootingen_US
dc.subject.pquncontrolledAppalachian Old-Time Musicen_US
dc.subject.pquncontrolledImprovisationen_US
dc.subject.pquncontrolledPercussive Danceen_US
dc.subject.pquncontrolledTap Danceen_US
dc.titleLOST PATTERNS: AN INVESTIGATION INTO TRANSLATIONen_US
dc.typeThesisen_US

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