Approaching and Executing Premiere, Interpretive, and Historical Works
| dc.contributor.advisor | Cossa, Dominic F | en_US |
| dc.contributor.author | Park, Benjamin | en_US |
| dc.contributor.department | Music | en_US |
| dc.contributor.publisher | Digital Repository at the University of Maryland | en_US |
| dc.contributor.publisher | University of Maryland (College Park, Md.) | en_US |
| dc.date.accessioned | 2016-06-22T05:47:07Z | |
| dc.date.available | 2016-06-22T05:47:07Z | |
| dc.date.issued | 2016 | en_US |
| dc.description.abstract | The spectrum of vocal music spans time, genres, styles, and is infinitely vast. New works are ever evolving and expanding, new artistic ideas are revealed from older works, and interest renewed from the tried and true. As a vocal musician in present day, I aspired to find a common thread amidst the boundless spectrum of works to be performed—whether I was hearkening back to a time of old, dissecting pieces by composers who have opened the door to personal artistry, or learning to sing a new work never performed or heard before. The Mercuriality of Song unearths more differences than commonalities in preparation, despite the fact that my voice remains the constant— differences which were expected, often surprising, but nevertheless new and rewarding in their challenges. Three performances (a world-premiere, a lieder recital, and an early music recital) comprise the basis for my investigation into comparing methods and processes of different periods via program notes, laying the foundation for initial preparation from an historical context. An amalgam of genres and stylistic differences along with performance planning culminate this exploration of vocal discovery and implementation. | en_US |
| dc.identifier | https://doi.org/10.13016/M2NZ06 | |
| dc.identifier.uri | http://hdl.handle.net/1903/18209 | |
| dc.language.iso | en | en_US |
| dc.rights | NOTICE: Recordings accompanying this record are available only to University of Maryland College Park faculty, staff, and students and cannot be reproduced, copied, distributed or performed publicly by any means without prior permission of the copyright holder. | |
| dc.subject.pqcontrolled | Music | en_US |
| dc.title | Approaching and Executing Premiere, Interpretive, and Historical Works | en_US |
| dc.type | Dissertation | en_US |
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