THE MAN IN THE BACKSEAT: A REFLECTION ON THE PROJECTION DESIGN PROCESS OF HOOKMAN

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dc.contributor.advisorMezzocchi, Jareden_US
dc.contributor.authorPreston, Seanen_US
dc.contributor.departmentTheatreen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2022-09-27T05:30:39Z
dc.date.available2022-09-27T05:30:39Z
dc.date.issued2022en_US
dc.description.abstractThe following thesis navigates the artistic ideas and concepts, design process,and execution of Sean Preston’s projection design for the UMD School for Theatre Dance and Performance Studies-College Park’s production of Hookman. The production opened November 13th, 2021 in the Kogod Theatre at the Clarice Smith Performing Arts Center. Hookman was directed by Nathaniel P. Claridad, with scenic design by Mollie Singer, costume design by Stephanie Parks, lighting design by Heather Reynolds, and sound design by Tosin Olufolabi.en_US
dc.identifierhttps://doi.org/10.13016/dcmf-dimi
dc.identifier.urihttp://hdl.handle.net/1903/29282
dc.language.isoenen_US
dc.subject.pqcontrolledDesignen_US
dc.subject.pquncontrolledHookmanen_US
dc.subject.pquncontrolledProjection Designen_US
dc.subject.pquncontrolledReflectionen_US
dc.subject.pquncontrolledTheatreen_US
dc.titleTHE MAN IN THE BACKSEAT: A REFLECTION ON THE PROJECTION DESIGN PROCESS OF HOOKMANen_US
dc.typeThesisen_US

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